MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


 REVIEW

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

alternatively
CD: Crotchet


Johann PACHELBEL (1653-1706)
Clavier Music - Volume 1
Toccata in C (Belotti 6) [1:47]
Fugue in C 'Nachtigall' [2:16]
Toccata in C (Belotti 4) [2:14]
Toccata in F (Belotti 9) [2:59]
Fantasia in C [2:10]
Nun lob mein Seel' den Herren [2:12]
O Lamm Gottes, unschuldig [3:08]
Da Jesus an dem Kreuze stund [2:16]
Warum betrübst du dich, mein Herz [4:16]
Nun lob mein Seel' den Herren (colored) [3:40]
Partita 'Alle Menschen müssen sterben' [9:50]
Ciaconna in d minor [5:10]
Suite in e minor* [23:59]
Ciaconna in D* [9:04]
Fantasia in E flat* [3:52]
Franz Raml (harpsichord*, organ)
rec. 30-31 May 2008, Petrikirche, Freiberg; 21-22 September 2008 in Rot an der Rot*, Germany. DDD
MUSIKPRODUKTION DABRINGHAUS UND GRIMM MDG6141552-2 [66:40]
Experience Classicsonline

Johann Pachelbel played an important role in the history of keyboard music in Germany in the late 17th and early 18th centuries. As teacher of Johann Sebastian Bach's eldest brother Johann Christoph he substantially contributed to the development of the younger Bach as a composer of keyboard music. His chorale arrangements and partitas are regularly played by organists, but we still await a good complete recording of his keyboard music. The 'Vol. 1' aspect this disc raised my hopes that it would happen at last. But alas, it is only the first of two discs which intend to offer a portrait of Pachelbel as a keyboard composer. Having said that this presents a good overview of the various genres of Pachelbel’s keyboard music. The pieces also reveal some patterns in Pachelbel's style of composing.

Pachelbel was born and died in Nuremberg in Bavaria. At the age of 16 he entered the university of Altdorf, but was forced to leave it within a year as his father couldn't afford to support him. Because of his exceptional academic qualifications he was accepted as a scholarship student at the Gymnasium Poeticum in Regensburg. Here he also studied music under Kaspar Prentz, a protégé of Johann Caspar Kerll. Pachelbel was clearly influenced by Kerll, and through him by the Italian style. He worked for some time as deputy organist of the St Stephansdom in Vienna. After this he went to Eisenach and then to Erfurt to act as organist. Between 1690 and 1695 he worked in the same capacity in Stuttgart and Gotha. In 1695 he was invited to become organist of St Sebaldus in Nuremberg, an offer he gladly accepted. It is a token of his high reputation that no examination took place nor were the organists of other churches in Nuremberg invited to apply for the position. Also the fact that he had many pupils attests to his importance as organist and composer of organ music. It was in Nuremberg that Pachelbel also composed many vocal works which are hardly known today.

The chorale-based compositions are the direct result of his activities as organist in various churches. Franz Raml plays five chorale arrangements which differ from each other, for instance in the way the cantus firmus is treated. This can be at various pitches, from soprano to bass, and can be either ornamented or unornamented. The two arrangements of 'Nun lob mein Seel' den Herren' show how one and the same chorale can be treated differently. In the highly expressive 'O Lamm Gottes, unschuldig' Pachelbel uses a technique he applied pretty often: the so-called Vorimitation ('prior imitation'). This means that a part of the cantus firmus - in this case a line from the chorale - is anticipated by an imitative section based on material from that part. The chorale partita 'Alle Menschen müssen sterben' contains a chromatic variation, a phenomenon which appears in many of his partitas.

Pachelbel seems to have had a special interest in the variation. Not only did he compose eight partitas on chorales, but also six arias with variations which were published under the title 'Hexachordum Apollinis', three arias and one arietta as well as three chaconnes. Two of the latter are performed here, very different in character and played on organ and harpsichord respectively.

Here and in all other works for manuals without pedal there is no certainty for which instrument they were written. Franz Raml has decided on basis of his own assessment of the character of the various pieces which instrument serves them best. The exception is the Suite in e minor which obviously is written for the harpsichord. It has the common four movements: allemande, courante, sarabande and gigue. The addition of a double to the sarabande reveals the influence of the French style.

The Toccatas which open this disc are written for manuals and pedal and therefore intended for the organ. The two Toccatas in C are, together with the Fugue in the same key, performed as a unity, in the style of a North-German toccata. This may seem a little strange considering that Pachelbel has mainly worked in Central and Southern Germany. But he was certainly acquainted with the North-German organ school: Buxtehude was one of the dedicatees of his 'Hexachordum Apollinis'. From this angle the decision to play these three pieces this way is defensible, even though the Fugue is somewhat out of step with the Toccatas in that it is written for manuals only. Fortunately the producer has allocated each of these three pieces its own track, giving the listener the opportunity to play them independently if he so wishes.

Next follows the Toccata in F to which Franz Raml has given the nickname 'Pastorale' because of its character. In the track-list I have left it out in order not to confuse the reader in case he wants to search for this piece in Pachelbel's work-list or for other recordings of the same work. The Fantasia in c minor is another piece for manuals without pedal. It centres around a lively dotted figure.

Raml delivers a very good and convincing interpretation of these works. He has taken some liberties - which he accounts for in the programme notes - which are partly due to the obscurities in the manuscripts none of which are in Pachelbel's own handwriting. For his recording he has been in close contact with Michael Belotti who is editing Pachelbel's keyboard music. For the organ works Raml has chosen the Silbermann organ of 1714 in the Petrikirche in Freiberg. This is a very beautiful organ the colourful disposition of which is well suited to Pachelbel's chorale-based works. The temperament is Neidhardt 2, which dates from 1732. I wonder whether a meantone temperament wouldn’t have been more suitable for Pachelbel's music. It would have made the wry dissonances in, for instance, 'Da Jesus an dem Kreuze stund' even more incisive. In general the character of the various chorales is done justice to, though. I assume Franz Raml knows the texts of the chorales, even though, in his programme notes, he refers to 'Warum betrübst du dich, mein Herz' with a partly wrong text ('meine Seele' instead of 'mein Herz').

The harpsichord pieces fare equally well. Here Raml plays an instrument built by Bernhard von Tucher after an original harpsichord by Giovanni Battista Giusti. The Fantasia in E flat is considered a 'notated improvisation', and that is how Raml plays it. He manages to create a considerable amount of tension here.

In short, this is a very fine disc which it is hoped will be followed by an equally fine second volume. We must still hope that one day some keyboard player will record Pachelbel's keyboard music complete. He certainly deserves it.

Johan van Veen


 


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Past and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools




Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.