Many a musical historian has told us that folk music was one
of the numerous musical streams which contributed to Mozart’s
evolution as a composer of highly individual genius. Nor have
we been deprived of attempts to demonstrate this truth. One of
Leonard Bernstein’s Young People’s Concerts was devoted
to ‘Folk Music in the Concert Hall’ (see
script)
and began with part of the Minuet from one of Mozart’s
Symphonies. Playing the whole movement later in the concert,
Bernstein commented
characteristically that it was “real high-brow concert-music
by Mozart, which could never have been written if the simple
Austrian folk music hadn’t come first”.
Where Bernstein, for example, asks us to listen to a Mozart Minuet
played by a classical orchestra and to compare it with an authentic
folk tune, Mozart in der Bauernmusik approaches the same musical
nexus rather differently. It also seeks to demonstrate “the
affinity between the popular peasants’ music and the art
music of Mozart”, to quote from the booklet notes by Hansjörg
Schellenberger. It does so by interweaving arrangements of compositions
by Mozart with performances of folk materials from Austria (chiefly),
Germany and Switzerland, as well as tunes by modern folk musicians
such as Neumüller and Reiser, all played on folk harp accompanied
by double-bass. All the arrangements of the Mozart items are
by Suss and Stolle themselves and they make for enjoyable, if
unspectacular, listening.
The harp which Margit-Ann Suss plays has an attractively rustic
sound which befits the folk materials well and which gives a
distinctive air to the Mozart items in the programme. It is fair
to say that, for example, hearing arias from Mozart’s operas
played in this context on these instruments, does open one’s
ears to affinities which might not otherwise have been at the
forefront of the mind. Of course there are losses too, but the
exercise is a worthwhile and interesting one.
Some of the folk melodies are very beguiling and the programming
of the CD - reproduced in my listing - creates some interesting
juxtapositions, offering frequent reminders of how much both
Mozart’s rhythms and melodic shapes have in common with
the ‘popular’ music of his day.
Perhaps no musicological points of great profundity or originality
are made by this exploration of Mozart’s roots in the folk
music of his place and time, but - and this is perhaps more important
- over an hour’s pleasant and mildly instructive listening
is offered to the Mozartean who wants a relatively fresh, attractively
unforced angle on the master’s music. A familiar historical
observation here acquires persuasive flesh on its bones, musically
speaking.
Glyn Pursglove
Track listing
ANONYMOUS
Da Holzner Boarische [1:37]
Mühlviertler Ländler [1:56]
Wolfgang Amadeus MOZART (1756-1791)
Menuett (from Symphony in E flat major) [3:18]
ANONYMOUS
Vorarlberger Bauerntänze [1:49]
Zillertaler Boarischer [1:17]
Wolfgang Amadeus MOZART
Ländlerischer Tanz [2:45]
Menuett [1:24]
ANONYMOUS
Thernberger Hochzeitsstückln [3:40]
Wolfgang Amadeus MOZART
‘Ihr, die ihr Triebe des Herzens kennt’ (from
The Marriage of
Figaro) [3:40]
ANONYMOUS
Hallstädter Hochzeitsmarsch (um 1800) [2:25]
Schweizer Tanz [1:12]
Wolfgang Amadeus MOZART
Menuett (from
Don Giovanni) [1:23]
ANONYMOUS
Deutscher Tanz [2:25]
Wolfgang Amadeus MOZART
Deutscher Tanz (Schlittenfahrt) [1:43]
ANONYMOUS
Südtirolere Hochzeitsmusik [4:21]
Wolfgang Amadeus MOZART
‘ Der Vogelfänger bin ich ja’ (from
The Magic Flute)
[0:51]
ANONYMOUS
Altfränkisches Menuett [3:09]
Schellenberger Zigeunerpolka [2:07]
Wolfgang Amadeus MOZART
‘ Das klinget so herrlich’ (from
The Magic Flute) [0:46]
ANONYMOUS
Harfenpolka [1:05]
Bauernmenuett aus Imst [2:37]
Wolfgang Amadeus MOZART
Gavotte (from
Les petits riens) [0:56]
ANONYMOUS
Stockerauer Tanz [1:21]
Wolfgang Amadeus MOZART
Menuett (from the Haffner Serenade) [3:15]
ANONYMOUS
Alte Steierische Tänze [2:36]
Wolfgang Amadeus MOZART
Deutscher Tanz [1:45]
ANONYMOUS
Menuett in G major [1:09]
Wolfgang Amadeus MOZART
‘ Reich mir die Hand, mein Leben’ (from
Don Giovanni) [1:29]
Sepp NEUMÜLLER
In der Klostermühle, Boarischer aus Dietramszell [2:24]
Tobi REISER (1907-1974)
Nanei Ländler [4:16]
ANONYMOUS
Der alte Marsch von Österreich [0:44]