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The impetus for this disc was a one-off performance given by David Hobson and Teddy Tahu Rhodes of the famous duet from Bizet's The Pearl Fishers. It was a smash hit in Australia and has become 'one of the most played tracks in Australian recording history' to quote ABC's sleeve-note. They got together at the end of 2008 to produce a Recession-busting album, or, as the notes again put it, 'to record much-loved songs of hope, faith and glory, as if in defiance of the glum mood of the times brought on by the world economic crisis.' Cripes. Interest rates fall - stick on Morning Has Broken.

Actually popular song on disc has always been a decent index of contemporary events. This album certainly sticks to its brief with a smorgasbord of things ranging from the religiose, to the lachrymose, to the stirring and a few stops in between on this branch line of popular aches and pains.

If you were facing financial ruin I suppose You'll Never Walk Alone might keep you company, though if you wanted to play it to Bernie Madoff perhaps you might like to change the lyrics to 'You'll Always Walk Alone'. It's a start I suppose. Thereafter we meet and greet old and familiar friends many - though not all - in sensitive arrangements by Jessica Wells. Her arranging confreres are all noted above.

These aren't all duets of course. David Hobson takes on The Holy City unaided and his light, pliant tenor offers its own pleasing gloss. O Holy Night isn't, as one might perhaps have feared, too much covered in syrup. That contemporary classic, 'Laughing Len' Cohen's Hallelujah is here, in one of its many versions, because this is a song now sanctified with multiple versions in much the same way as Wordsworth's Prelude or the pre-Pound edited Wasteland. Teddy Tahu Rhodes croons this one over a harp ripple, though I fear his heart's not in it. No one can match the deathless Canadian in any case; heard live it's hypnotic.

Panis angelicus is a calming duet and there's a nicely modest version of Poor Wayfaring Stranger arranged by Jessica Wells. The Battle Hymn of the Republic isn't too butch. Morning Has Broken had me wishing it hadn't. I'll Walk with God, with piano to the fore, is a touch strident. Shall we, in all conscience, pass over The Little Drummer Boy/Peace on Earth or I'll have nightmares about David Bowie. And to finish we have Go, Tell It on the Mountain, which had me thinking of Robeson or, more properly in this context, The Golden Gate Quartet perhaps.

An uplifting way to end an 'Uplift' disc.

Jonathan Woolf

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