This 32 CD set was issued in November 2008 to commemorate the
centenary of Olivier Messiaen’s birth. It contains all the works
which the composer considered to be worthwhile. This is not a
vast output for a compositional career spanning 64 years - compared,
say, to Bach or Mozart - but at least it is practical for a listener
to become familiar with the complete oeuvre. Amongst the reasons
why one might do so are the consistently high levels of inspiration
and originality in his music. There is also more variety than
might be expected if one only knows the “famous” works. After
composing a few pieces recalling Debussy and Fauré, Messiaen developed
a highly characteristic style which blended profound spirituality
with the world of nature in predominantly large canvases using
imaginative instrumentation. His life and works have been summarised
on MusicWeb by Julie
Williams.
I should
say without further ado that this is a highly desirable low-priced
box. Unlike many such collections - for example EMIs recent
large Elgar and Vaughan Williams boxes - this one is superbly
presented; the booklet alone would a desirable acquisition.
There are extensive and authoritative notes on all the works
and high quality photographs plus texts and English translations.
The sound quality is generally excellent and the majority of
the recordings are recent. The most significant exception to
that is the 1962 reading of Visions de l'amen given by
the composer and Yvonne Loriod shortly after they were married.
Even there, though, few allowances need to be made for the sound
and it was good to have the composer also represented as a performer.
There is bad news
though – if the above has whetted the appetite, you may be in
for a hard time trying to buy this, at least at the moment. As
far as I can tell, the product sold out on the east side of “the
pond” - where it was priced at about £70-£80 - in about a month.
On the other hand, in mid-January 2009 it was still in stock at
ArkivMusik.com
in the USA but priced at about $250 dollars – at least twice as
much. DG declared it to be a “limited edition” and may therefore
be reluctant to reprint it. I would also suspect that very few
copies will be finding their way into second-hand shops in a hurry.
Interestingly, it was still present in the DG
Web Shop at the time of writing, although listed as unavailable,
making me wonder if it is slated for downloading. That would be
an excellent idea although I don’t know how practical a pdf file
of the booklet would be from the user perspective.
Next,
let’s take a whistle-stop tour of the major works in the box.
First up are Roger Muraro’s laudable recordings of the piano
music, recorded a few years back. Most of these seem to be live
performances and I would assume that they are those which have
appeared - and are still available - on Accord. Then come Olivier
Latry’s readings of the organ music which were positively reviewed
on MusicWeb in 2002. The major choral work La Transfiguration
de Notre Seigneur Jésus-Christ is superbly given under the
baton of Myung-Whun Chung whose readings of several major orchestral
works, notably the Turangalîla-Symphonie, Des canyons
aux étoiles and the valedictory Éclairs sur l'au-delà...
are also included. Pierre Boulez and the Cleveland Orchestra
pick up the rest while Messiaen’s solitary opera Saint François
d'Assise is represented by Kent Nagano’s recording with
the Hallé orchestra and José van Dam taking the title role.
Daniel Barenboim is the pianist in the 1978 recording of Messiaen’s
only major chamber work - famously written and first performed
in a prisoner of war camp - Quatuor pour la fin du temps.
All the recordings
mentioned in the previous paragraph are reckoned to be amongst
the best versions available of the relevant pieces and many
of the artists involved worked with the composer and/or his
wife. In particular, Nagano’s Saint François d'Assise
is surely peerless. Messiaen enthusiasts are likely to have
some of these recordings already but, where they do not, they
would represent, at the very least, a valid alternative view.
Latry’s organ (Notre-Dame) sounds rather different to Gillian
Weir’s (Aarhus) and his often seems a more restrained approach.
Perhaps Chung’s Turangalîla-Symphonie can seem slightly
understated, particularly in the last movement and by comparison
with Nagano on Warner. But the composer gave his blessing to
it just before he died and it’s hard to argue with that. There
are no doubts at all about Chung’s Des canyons aux étoiles
which was a Recording of the Month in February 2003 (see
review).
Quatuor pour la fin du temps is given a very intense
performance which had me on the edge of my seat for much of
the time.
That said, perhaps
the most compelling reason for most potential purchasers to
invest in this set - or to endeavour to! - will be to the hear
works I have not yet mentioned. That was certainly my prime
motivation. Indeed DG had to make some new recordings during
2008 to plug the gaps. Some of these were collected together
and rapidly issued on a single disc (see review).
I can certainly echo Anne Ozorio’s positive comments about Trois
petites liturgies de la présence divine.
Amongst the less
familiar works which particularly caught my ear was La fête
des belles eaux for a sextet of ondes martenot, an instrument
which Messiaen did much to champion. Messiaen’s vocal music
is often overtly attractive – for example the Vocalise-étude
of 1935. The early song-cycle Poèmes pour Mi was
written for his first wife and is given in both the orchestral
version and with piano accompaniment. If this is essential listening,
the later cycle Harawi – subtitled Song of love and
death – dating from 1945 is even more mesmerising and is
wonderfully sung by Yumi Nara. The Cinq Rechants (five
refrains) for unaccompanied voices are spiky and striking indeed.
The composer’s passion for birdsong is evident in so many works
aside from the marvellous piano catalogue on discs 5-7 – for
example Le merle noir for flute and piano is a brief
gem. Amongst the places the composer visited on his travels
was Japan and his Sept Haïkaï - seven Japanese sketches
for piano and ensemble - of 1962 are interesting indeed. One
of the most fascinating pieces here is Messiaen’s only concerto
– or is it a sinfonia concertante? – the concert à quatre. This
was incomplete at the time of composer’s death and partially
orchestrated by his widow. Just look at the line-up of soloists
for whom Messiaen wrote the work: Yvonne Loriod (piano), Catherine
Cantin (flute), Heinz Holliger (oboe), Mstislav Rostropovich
(cello).
Unsurprisingly, there were other commemorative
Messiaen compilations issued last year but I am not in a position
to make direct comparisons. I can say that this one is simply
splendid and that it is hard to imagine that any of the others
could possibly have surpassed it. Far from being an exercise
directed at completists only, listening to this set has been
a life-enhancing experience. I do hope DG will see the light
and make it generally available again soon.
Patrick C Waller
see also Olivier
MESSIAEN (1908-1992)
Orchestral and Chamber Works and Song-Cycles
DECCA 478 0352 [6 CDs:] [AOz]
Detailed listing of works and artists
CDs 1-7 Piano Music: Eight Preludes (1928-9) [33:01];
La fauvette des jardins (1972) [32:26]; Petites Esquisses
d'oiseaux (1985) [13:38]; Quatre études de rhythme
(1949) [16:55]; Cantéyodjayâ (1948) [13:07]; Rondeau
(1943) [2:28]; Fantaisie burlesque (1932) [7:28];
Prelude (1964) [2:51]; Pièce pour le tombeau de Paul
Dukas (1935) [3:33]; Vingt regards sur l'enfant Jésus
(1944) [118:55]; Catalogue d'oiseau (1956-8) [149:53]
all Roger Muraro (piano). rec. 1998-2001;
CDs 8-13 Organ Music: Apparition de l'église (1932)
[9:45]; La nativité du Seigneur (1935) [62:58]; Le
banquet céleste (1928) [7:03]; Offrande au Saint
(1930-5) [5:06]; Diptyque (1930) [11:22]; Les corps glorieux
(1939) [55:03]; Méditations sur le mystère de la Sainte Trinité
(1969) [72:20]; Prelude [9:00]; Verset pour la fête
de la dédicace (1960) [8:03]; Monodie (1963) [2:53];
L'Ascension - 4 Meditations (1934) [27:13]; Messe
de la Pentecôte (1950) [28:34]; Livre d'orgue (1951)
[44:52]; Livre du Saint Sacrement (1984) [101:40]
all Olivier Latry (organ). rec. 2000;
CDs 14-15: La Transfiguration de Notre Seigneur Jésus-Christ
(1965-9) [99:47]
Emmanuel Curt (vibraphone); Thomas Prevost (flute); Roger Muraro
(piano); Eric Levionnois (cello); Robert Fontaine (clarinet);
Francis Petit (marimba); Renaud Muzzolini (xylorimba); Radio
France Chorus and Philharmonic Orchestra/Myung-Whun Chung. rec.
2001;
CDs 16-19 Opera: Saint François d'Assise (1983)
[234:45]
Dawn Upshaw (soprano) - The Angel; José van Dam (baritone) -
St. Francis; Chris Merritt (tenor) - The Leper; Urban Malmberg
(baritone) - Brother Leo; John Aler (tenor) - Brother Masseo;
Guy Renard (tenor) - Brother Elias; Tom Krause (bass) - Brother
Bernard; Akos Banlaky (baritone) - Brother Sylvester; Dirk D'Ase-(baritone)
Brother Rufus; Jeanne Loriod; Valerie Hartmann-Claverie &
Dominique Kim (ondes martenot); Arnold Schoenberg Choir; Hallé
Orchestra/ Kent Nagano. rec. 1998;
CDs 20-32 Other Music: Turangalîla-Symphonie (1946-8)
[78:32]
Jeanne Loriod (ondes martenot); Yvonne Loriod (piano); Bastille
Opera Orchestra/Myung-Whun Chung. rec. 1990;
Des canyons aux étoiles (1970-4) [92:07]
Roger Muraro (piano); Francis Petit (xylorimba); Jean-Jacques
Justafré (horn); Renaud Muzzolini (glockenspiel); Radio France
Philharmonic Orchestra/Myung-Whun Chung. rec. 2001;
Chronochromie (1960) [23:47]; La ville d'en haut
(1987) [9:17]; Et exspecto resurrectionem mortuorum (1964)
[24:31]
Cleveland Orchestra/Pierre Boulez. rec. 1993;
Concert à quatre (1991) [26:11]
Yvonne Loriod (piano); Catherine Cantin (flute); Heinz Holliger
(oboe); Mstislav Rostropovich (cello); Bastille Opera Orchestra/Myung-Whun
Chung. rec. 1994;
Les offrandes oubliées (1930) [12:38]; Un sourire
(1991) [10:37]; Le tombeau resplendissant (1931) [15:25];
Éclairs sur l'au-delà... (1987-91) [64:56]
Bastille Opera Orchestra/Myung-Whun Chung. rec. 1993-4;
Poèmes pour Mi (1936) [28:44]
Françoise Pollet (soprano); Cleveland Orchestra/Pierre Boulez.
rec. 1994;
Réveil des oiseaux (1953) [20:11]
Pierre-Laurent Aimard (piano);
Cleveland Orchestra/Pierre Boulez. rec. 1994;
Sept Haïkaï (1962) [22:50]
Joela Jones (piano); Cleveland Orchestra Pierre Boulez. rec.
1994;
La fête des belles eaux (1937) [31:35]
Jeanne Loriod Sextet (ondes martenot). rec. 1980;
Quatre Inedits [11:12]
Jeanne Loriod (ondes martenot); Yvonne Loriod (piano). rec.
1999;
Chant dans le style de Mozart [3:28]
Guy Deplus (Clarinet); Yvonne Loriod (piano). rec. 1999;
Le merle noir (1951) [5:54]
Christian Larde (flute); Yvonne Loriod (piano). rec. 1999;
Cinq Rechants (1949) [17:11]
Le Madrigal Ensemble/Jean-Paul Kreder. rec. 1966;
Chantes de déportés (1945) [3:36]
BBC Symphony Chorus and Orchestra/Sir Andrew Davis. rec. 1995;
O sacrum convivium! (1937) [3:51]
Cambridge St. John's College Choir/George Guest. rec. 1969;
Quatuor pour la fin du temps (1940) [49:07]
Daniel Barenboim (piano); Luben Yordanoff (violin); Albert Tetard
(cello); Claude Desurmont (clarinet). rec. 1978
Piece for Piano and String Quartet [3:28]
Yvonne Loriod (piano); Rosemonde String Quartet. rec. 1999;
Oiseaux exotiques 1956) [13:37]
Jean-Yves Thibaudet (piano); Royal Concertgebouw Orchestra/Riccardo
Chailly. rec. 1995;
Harawi (1945) [60:29]
Yumi Nara (soprano); Jay Gottlieb (piano). rec. 1989;
Trois Mélodies (1930) [6:28]
Sylvia McNair (soprano); Roger Vignoles (piano). rec. 1996;
La mort du nombre (1930) [12:00]
Hervé Lamy (tenor); Françoise Pollet (soprano); Agnès Sulem-Bialobroda
(violin); Yvonne Loriod (piano). rec. 1999;
Trois petites liturgies de la Présence [33:41] (1944)
Valerie Hartmann-Claverie (ondes martenot); Helene Collerette
(violin); Roger Muraro (piano); Maîtrise de Radio France; Radio
France Philharmonic Orchestra Myung-Whun Chung. rec. 2008;
Couleurs de la cité céleste (1963) [17:29]
Catherine Cournot (piano); Radio France Philharmonic Orchestra/Myung-Whun
Chung. rec. 2008;
Hymne au Saint-Sacrement (1932) [16:46]
Radio France Philharmonic Orchestra/Myung-Whun Chung. rec. 2008;
Fantasie for Violin and Piano [8:02]
Daniel Hope (violin); Marie Vermeulen (piano). rec. 2008;
Thème et Variations for Violin and Piano (1932) [7:31]
Martha Argerich (piano); Gidon Kremer (violin). rec. 1985;
L'Ascension for Orchestra (1933) [32:17]
Bastille Opera Orchestra/Myung-Whun Chung. rec. 1990;
Poèmes pour Mi (1936) [26:30]
Noelle Barker (soprano); Robert Sherlaw Johnson (piano). rec.
1971;
Un vitrail et des oiseaux (1986) [9:35]
Yvonne Loriod (piano); Berlin Radio Symphony Orchestra/Karl
Anton Rickenbacher. rec. 2008;
Vocalise-étude (1935) [4:50]
Nathalie Manfrino (soprano); Marie Vermeulen (piano). rec. 2008;
Visions de l'amen (1943) [46:08]
Yvonne Loriod (piano); Olivier Messiaen (piano). rec. 1962
Chants de Terre et de Ciel (1938) [25:05]
Noelle Barker (soprano); Robert Sherlaw Johnson (piano). rec.
1971.