This new recording continues
the Maggini Quartet’s sterling services to 20
th-century
English music – I recommend their recording of the Vaughan
Williams Quartets, for example, as wholeheartedly as did
my Musicweb colleagues in 2001 (8.555300 – see
review). It
also continues Naxos’s commitment to the music of
William
Alwyn, a composer whose qualities have unfortunately been
overshadowed by his better-known contemporaries.
Alwyn’s first numbered
quartet dates from 1953, though it had been preceded by
several earlier experiments. It’s the most approachable
of the three; the blurb promises echoes of Dvořák,
Janáček and Smetana, and these are certainly to be
found, though, as the same blurb acknowledges, this is
a thoroughly original work. The slow movement is particularly
attractive and it benefits here from a marginally slower
tempo than on the Quartet of London’s version (see below).
There’s no need for those
averse to atonality to have any fear in approaching this
music. In the early 1950s, with the lifting of post-war
rationing, the Festival of Britain and the Coronation,
it was again possible to feel optimistic and this mood
is reflected in the music. If you’ve already made the
acquaintance of Alwyn’s first three symphonies and enjoyed
them, you should like what you hear in this quartet.
If you don't yet know
the symphonies, I'd make their acquaintance first, in
Naxos's own recordings or those on Lyrita and Chandos. David
Lloyd-Jones offers accounts of Nos. 1 and 3 (Naxos 8.557648),
Nos. 2 and 5
(8.557647 with the Harp Concerto
Lyra Angelica)
and No.4 (8.557649 with
Sinfonietta – a Bargain
of the Month; see
review)
which I haven’t heard but which have been generally praised. My
own favourites are Alwyn’s own recordings on Lyrita (1
and 4 on SRCD.227 – see
review;
2, 3 and 5 on SRCD.228 – see
review). I’ve
owned the former ever since I bought it on impulse in the
only shop which then supplied Lyrita recordings and I recommended
the eMusic download of the latter in my
December
2008 Download Roundup.
Chandos also have a fine
set of Richard Hickox recordings of Alwyn’s orchestral
music, with all five symphonies and the
Sinfonietta on
CHAN9429 (3
CDs) or separately, coupled with the Elizabethan Dances,
Piano Concertos and Violin Concerto. I hope to explore
at least some of these Hickox/Alwyn recordings in forthcoming
instalments of my Download Roundup.
The Second Quartet of
1975 is a much more troubled work – the Spring Waters of
the title are troubled waters. It’s very tempting to see
the music as indicative of a 70-year-old undergoing a late
mid-life crisis, though Alwyn insisted that this was an
abstract composition – but, then, I find the denial of
Tolkien and Vaughan Williams of the influence of World
War II on their works hard to reconcile with what I see
and hear.
It may take you a while
to come to terms with this quartet, as it did me – the
experience was somewhat akin to my first encounter with
the late Beethoven quartets, with the Budapest Quartet’s
CBS stereo remake of Op.127. The playing of the Maggini
Quartets is far less steely than that CBS recording, but
the music is equally elusive the first time round. Second
time around, I found that I connected with the idiom more
readily.
These first two quartets
were recorded by the Quartet of London in 1984, a Chandos
recording (CHAN9219 – see
review)
still available as an mp3 or lossless download from theclassicalshop.net – the
CD appears to have been deleted. Though the composer himself
was present at the recording sessions and the cover illustration
is a painting by Alwyn himself, there is little reason
to prefer those performances to those of the Magginis – and,
at 45 minutes, the recording is poor value by comparison
with this Naxos version. With the exception of the slow
movement of the first quartet which, I felt, benefits from
the marginally slower version of the Magginis (4:07 against
3:57) and the finale of the second (just one second difference),
the Chandos performances are consistently slightly slower
than these new versions.
It was during attendance
at the Chandos recording sessions that Alwyn decided upon
his final quartet, a much quieter and more elegiac work,
though, again, it took me two hearings to engage with it. The
Quartet of London subsequently recorded this quartet, too,
coupled with the
Rhapsody of 1938 and the String
Trio (CHAN8440, mp3 or lossless download only; again, rather
short value at 49 minutes – see
review). The
tempi on the new Maggini version are, again, marginally
faster than those on the Chandos disc but I never felt
that this was to the music’s disadvantage.
The finale of the third
quartet would have made a fitting conclusion to the CD
but Naxos’s decision to append the approachable, but far
from bland,
Novelette of 1938/9, offers a better
ending.
With sympathetic performances
throughout, good recording, helpful notes and, as usual,
a thoroughly appropriate cover picture, this version of
the quartets is well worth investigating – but do try the
symphonies first.
Brian Wilson
see also review by John France