MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


CD REVIEW

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

alternatively
CD: Crotchet AmazonUK AmazonUS


Wolfgang Amadeus MOZART (1756-1791)
Don Giovanni Overture [5:52]
Gustav MAHLER (1860-1911)
Symphony No 4 in G major [54:36]
Dame Felicity Lott (soprano)
BBC Northern Symphony Orchestra/Kurt Sanderling
rec. 17 April 1978, BBC Studios, Manchester
BBC LEGENDS BBCL42482 [60:40]
Experience Classicsonline

Last year I reviewed Sanderling’s performance, with the same orchestra of Mahler’s Ninth Symphony. That impressive performance was made in 1982. Five years earlier, before the orchestra had been renamed BBC Philharmonic, Sanderling led them in this account of the Fourth symphony.
 
I was interested to discover that the important violin solo in the second movement of the symphony is played by the orchestra’s then-leader, Dennis Simons. I had the pleasure of meeting Mr Simons on a couple of occasions in the late 1970s when he played concertos (Bruch and Brahms) with the amateur orchestra in which I played at that time. It’s nice to be reminded on this disc of his fine playing. I remember him also as a charming, courteous man and that comes across in the warm recollections of Kurt Sanderling which he contributes to the booklet note accompanying this release.
 
The note also includes some comments by Kurt Sanderling’s son, Thomas, himself a distinguished conductor. He points out that the “psychological dualism” of this symphony fascinated his father. That will come as no surprise to those who have read Tony Duggan’s absorbing essay on this work in his synoptic survey of the Mahler symphonies on disc. As Tony writes: “Since this is Mahler's shortest symphony and the one with the prettiest and most tuneful textures it's earned its place as his most popular and approachable. But be careful about viewing it as entirely untroubled. There are dark shades cast on the filigree textures and piquant colours.”
 
The impression I have is that Sanderling, for all the virtues of his performance, is perhaps a little too severe. I miss the charm, the naïveté, that other conductors have brought to this score. The first movement sounds quite straight and sober here. There’s not a great deal of evidence of Viennese rubato and the reading struck me as being somewhat lean and  classical. The rhythms are well sprung and the music moves forward - quite briskly so at times. I think I’d sum up the reading as clear-eyed and purposeful.
The second movement is light and dexterous. Dennis Simons’ violin solos are characterful without any unwelcome exaggeration. Mind you, it’s only fair to say that he’s not the only good soloist we hear. In this movement, and elsewhere, the woodwind principals and the first horn all distinguish themselves at regular intervals. Sanderling brings out the grotesque side of the music well but there are also some welcome examples of warmth, not least the lovely, romantic playing of the violins at around 7:00. However, the warmth always stays on the right side of indulgence.
 
The beautiful slow movement is warmly lyrical at the outset and the BBC musicians offer their distinguished guest some dedicated playing. When the great climax arrives (17:18) the timpanist is superbly incisive – but is his playing also a bit too dominant? I have to say I felt a bit cheated at this point. The climax is over almost in a flash, it seems. The last thing one wants here is grandiosity but the passage should be like a momentary glimpse of heaven and I feel Sanderling’s approach to it is a bit matter of fact and misses the radiance of the moment.
 
The finale features Dame Felicity Lott, who also appeared on Franz Welser-Möst’s EMI recording, a version that I’ve not heard. She sings nicely and Sanderling supports her well, bringing out also the slightly gothic elements in the orchestral passages between the soloist’s verses. But the concluding stanza (from 5:11 onwards) is a bit of a disappointment. The playing isn’t sufficiently hushed, nor is Dame Felicity’s singing. I miss the sense of magical repose that one gets, for example, with Judith Raskin and George Szell or from the luminous Lucia Popp with Klaus Tennstedt. I suppose, perhaps that these last few minutes sum up what, to me, is lacking in this reading, namely innocence and poetry.
 
This is a reading that has many virtues – how could it not with a thoughtful musician such as Sanderling at the helm? Others may respond to it more positively than I have so far but right now it doesn’t feel like a recording to rank beside the very best available versions of the symphony and I don’t believe it’s quite as important an addition to the Mahler discography as was Sanderling’s view of the Ninth. Having said that, I’m not aware that there’s an alternative Sanderling performance of this work  available on CD and that in itself makes its appearance worthy of note, especially since Thomas Sanderling says that, after the Ninth, this was the Mahler symphony most frequently conducted by his father.
 
Before the symphony we hear a tautly controlled account of the Don Giovanni Overture. The coupling is apt, for this piece also has both a dark side and a lighter one. Sanderling’s opening is darkly imposing and he leads a muscular account of the main allegro.
 
The playing of the BBC Northern Symphony Orchestra is pretty good throughout, with only a few minor rough edges, and brought back for me some happy memories of concert-going in Yorkshire in the years around the time of these recordings. Good, clear BBC studio sound and a useful note complete the attractions of this disc.
 
Though I have some reservations about Sanderling’s reading of the symphony he’s an intelligent and thoughtful Mahlerian and admirers of Mahler or of this conductor should hear this CD.
 
John Quinn
 

  

 


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Past and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools




Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.