MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


CD REVIEW

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

alternatively
CD: AmazonUK AmazonUS
Download: Classicsonline

 

George QUINCY

Pocahontas, at the Court of King James I (2006/2007) [part 1: 13:34; part 2: 15:30]

Choctaw Diaries [21:48]

Roberta Gumble (a Lady at Court and Matoaka, Pocahontas, Lady Rebecca Rolfe (by all these names the young, cart-wheeling Native American girl was called)), Marshall Cod (King James I), The Queen’s Chamber Band (Pocahontas) Timothy Archambault (native flute), The Bronx Chamber Ensemble (Choctaw Diaries) 

rec. live, Merkin Hall, NYC, NY (Pocahontas) and Holy Trinity Church NYC, NY and the Philipse Manor Hall State Historic Site, Yonkers, NY (Diaries) (dates not given). DDD
LYRICHORD LYRCD6009 [51:03] 

Experience Classicsonline


George Quincy is from Oklahoma and is of Choctaw heritage. He studied at the Juilliard School, and subsequently taught there. He was Musical Advisor to Martha Graham and has composed, orchestrated and conducted music for theatre, dance, film, opera, television and concert.
 

Choctaw Diaries is a pleasant, if overlong, suite for native flute and small ensemble. According to the notes it “evokes a Native American landscape of spirit, the dawn of a day from another time, meshing with my own Oklahoma childhood recollections. It recalls the prairie, the canyon, the expanse of sky. The voice of the native flute calls for these experiences to be eternal.” It is attractive in its sound-world, the native flute, with its own tuning, standing in relief against the western tuning of the ensemble. The first movement, Awakening to Spirit opens with the most gorgeous, and delicate, string writing, over which the flute sings a long song. It’s a lovely achievement. The second movement - That We May Touch the Earth – is a scherzo–like movement, but in a medium tempo, and because of this the music never takes fire. The third movement – Beauty Comes to the Eye – is another slow movement starting with a trumpet solo, then the flute joins in, over a string accompaniment. The quick finale – Journey to My Truth – returns to the kind of music heard in the second movement.

 

This music is very Coplandesque - if you ignore the flute - easy on the ear, nicely orchestrated and very pleasant. But it’s all the same. The music never varies and it doesn’t seem to have a specific musical, as opposed to philosophical, purpose.

 

In the two parts (one each side of the Diaries) of Quincy’s Pocahontas, at the Court of King James I, written to a libretto by the composer’s wife, Thayer Burch, we see the eponymous heroine at Court. The work begins with a very beautiful prelude, much of which could have come out of almost any of Gustav Holst’s earlier works - such as Savitri. There’s Poulenc and Falla in the harpsichord writing, string glissandi, then the singing begins. Roberta Gumble (singing a Lady at Court in part 1) has a voice which isn’t under control. Her wobble is too much, for it clouds the vocal line and the ear tires of such sound quite quickly. Marshall Cod’s counter-tenor - I assume he’s a counter-tenor, and there’s nothing in the notes to tell me otherwise - is fine but it’s hard to discern which singer is singing unless you follow the libretto. As they wait for the entrance of Pocahontas the King and the Lady speculate on “That putrid tobacco, that dreaded devil’s plant…” I lit another cigarette at this point. Then there’s speculation on Pocahontas’s husband, followed by discussion about “…her entourage. Heathens all, Quite glorious in their savagery.”

 

The second part has our heroine in duet with the King.

 

One of the things which makes opera, or whatever this work is, work is that it has to have clearly drawn characters – think of Tosca, Peter Grimes, Figaro – and good tunes – almost any stage-work by Haydn and Mozart, most of Britten and Tippett, Ned Rorem – which are developed and carry the argument forwards. Arioso as well as recitative. What I feel we have here is a piece which doesn’t really work. It’s not dramatic, it contains too much that is irrelevant – the tobacco chat in the first part – and the small ensemble of string quartet, bass, flute, oboe, rain stick (over-used) and harpsichord simply doesn’t have sufficient colour to make the music interesting.

 

Certainly, Choctaw Diaries makes me want to hear more of Quincy’s work but Pocahontas leaves me cold, not least for the singing of Roberta Gumble, and the fact that the two voices used are so similar in timbre that you’ve no idea who is singing what. Why didn’t Quincy use a tenor instead of a counter-tenor? The instrumentalists are excellent, the small band in the opera (for want of a better word) sounds to be having a good time with the limited material given to it, and the Bronx Ensemble accompany the native flute well.

 

The recording is excellent and the full libretto is printed in the booklet but there’s only notes about the composer and the pieces, nothing about the soloists. I’m sorry to have to say that I shan’t be reaching for this CD again, in an hurry.

 

Bob Briggs

 

 




 


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Past and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools




Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.