MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


CD REVIEW
RECORDING OF THE MONTH


Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


Buy through MusicWeb from £12 postage paid World-Wide. Sale or Return

Musicweb Purchase button

 

Un Frisson Français - A Century of French Song
Georges BIZET (1838-1875) Chanson d'avril (1866) [2.32]
César FRANK (1822-1890) Nocturne (1884) [3.48]
Édouard LALO (1823-1892) Guitare Op. 17 No. 1 (1856) [1:42]
Charles GOUNOD (1818-1893) Au rossignol (1867) 4:47]
Camille SAINT-SAËNS (1835-1921) Danse macabre Op. 40 (1872) [2:08]
Emmanuel CHABRIER (1841-1894) Les Cigales (1889) [3:45]
Émile PALADILHE (1844-1926) Psyché (1916) [3:12]
Ernest CHAUSSON (1855-1899) Les Papillons Op. 2 No. 3 (1880) [1:23]
Alfred BACHELET (1864-1944) Chère nuit (c1910) [5:30]
Henri DUPARC (1848-1933) Au pays où se fait la guerre (?1869-70) [5:39]
Maurice RAVEL (1875-1937) Le Paon (Histoires naturelles) (1906) [4:59]
André CAPLET (1878-1925) Le Corbeau et le Renard (1919) [3:40]
Albert ROUSSEL (1869-1937) Répons d’une épouse sage Op. 35 No 2 (1927) [3:21]
Olivier MESSIAEN (1908-1992) La Fiancée perdue (1930) [2:40]
Claude DEBUSSY (1862-1918) Colloque sentimental (Fêtes galantes II) (1904) 4:09]
Gabriel FAURÉ (1845-1924) Vocalise-étude (1906) [3:19]
Reynaldo HAHN (1874-1947) À Chloris (1916) [3:20]
Eric SATIE (1866-1925) Le Chapelier (1916) [0:55}
Arthur HONEGGER (1892-1955) Trois Chansons de la Petite Sirène ((1926) [2:54]
Joseph CANTELOUBE (1879-1957) Brezairola (1927) [4:03]
Manuel ROSENTHAL (1904-2003) La Souris d’Angleterre (1934) [2:56]
Francis POULENC (1899-1963) La Dame de Monte Carlo (1961) [7:00]
Susan Graham (mezzo)
Malcolm Martineau (piano)
rec. 13-16 March 2008, St. Paul’s Church, New Southgate, London. DDD
French texts and English translations included
ONYX 4030 [77:34]

Experience Classicsonline


Two things that I’ve learned over the last few years are that any recital disc from Susan Graham is likely to be An Event and that she has a particular affinity for French repertoire. Her latest CD reinforces both points.

Malcolm Martineau, her regular recital partner, tells us in an introductory note, that this particular programme, which they toured in 2007 and 2008, was assembled as a kind of "menu gourmand or tasting menu." Each of the composers is represented by just one song – though, actually, Honegger’s allocation is three tiny ones that go together. The songs are presented in roughly chronological order and are divided into four groups, with the Poulenc piece standing in splendid isolation at the end.

Although all the great names of mélodie are included several of their items are rarities. We also hear a number of songs by largely forgotten composers as well as pieces by several composers who are well known for their music in other genres but not really as songwriters. In other words, this is a most enterprising collection and, to continue Martineau’s metaphor, a most enticing menu.

Collectors will know that Susan Graham’s voice is a glorious instrument. Her tone is warm and full, yet also very focused; her range is extensive; and she relishes the words. All these virtues are well to the fore in this recital.

There are several items here that are real rarities. I’d never even heard of Émile Paladilhe, I’m afraid. His Psyché is rather sentimental and sweet but Miss Graham sings it most touchingly and with sincerity. She makes it a delight from start to finish. Another name – and song – that was new to me was that of Alfred Bachelet and his Chère nuit. This was written for Melba and it’s suffused with sultry emotion. There’s a quasi-operatic dimension too. Susan Graham, with her voluptuous tone, seems ideally suited to it. She identifies completely with the song and, as is so often the case in this recital, spins an exquisite, long line. Frankly, this is singing for which to die.

Moving to some more familiar names, she delivers the opening Bizet item deliciously, responding beautifully to the innocent, eager charm of the setting. She follows this with a piece by Frank, who I’ve never thought of as a composer of mélodies. In fact, he didn’t compose much in this genre but Miss Graham makes a very strong case for Nocturne. This is another item in which one admires her sense of line. She and the admirable Malcolm Martineau make the change into the major key for the last verse a lovely moment.

The song by Chabrier is a delight. Much of the interest here lies in the inventive, chirruping piano part, which Martineau plays superbly. As Gerald Larner says in his note, the vocal line in the Chausson item ‘floats effortlessly on an ingeniously fluttering accompaniment’. Both Miss Graham and her pianist display wonderful yet discreet artistry here and their mutual understanding and rapport ensure that this song is a great success.

Among the better-known names, the Debussy piece receives a sensuous performance, as does the Fauré Vocalise. The Canteloube offering is one of his celebrated Chants d’Auvergne. Here, shorn of the orchestration, which can sometimes seem to swamp these songs, the song becomes touchingly simple. The melody is, as it were, taken back to basics, or very nearly. It’s a lovely performance and it takes real artistry to spin a gossamer vocal line in the way that Susan Graham does here. The Duparc song, placed much earlier in the recital, couldn’t be in greater contrast and it’s a tribute to Miss Graham that she can encompass such a variety of music so effortlessly. This is a dramatic Big Song and she projects it marvellously. Gerald Larner draws a parallel with Mahler – or, to be precise, ‘pre-Mahler’ - which I must say hadn’t occurred to me before, but which seems very apt.

This CD contains the third recording that I’ve heard by Miss Graham of Hahn’s À Chloris and this is as good as any of its predecessors. This piece could have been written for her, so well does it suit her voice and expressive range. Malcolm Martineau weights the Bach-pastiche piano part perfectly and supports his singer beautifully in a sublime account of the song.

After displaying her gift for humour in Rosenthal’s La Souris d’Angleterre, which she sings with a definite twinkle in her eye until the pathos of the pay-off, Susan Graham closes with a wonderful performance of Poulenc’s La Dame de Monte Carlo. This was written for the great Denise Duval and was originally scored for orchestra. In fact it’s a mini-scena. By turns the music is witty, voluptuous, vivacious and touchingly melancholic – almost a microcosm of Poulenc’s output, in fact. Miss Graham is in total command of the piece and responds to each change of mood superbly. Her performance crowns a wonderfully inventive and superbly executed recital.

This is as fine a disc of mélodies as I’ve heard in a long time. The programme is marvellously varied and full of interest and both Susan Graham and Malcolm Martineau are on top form throughout. Gerald Larner’s succinct but excellent notes set each item in context. Finally, the recording is excellent, balancing the performers very well and providing truthful and musical sound. This disc provides unalloyed pleasure and is not to be missed.

Encore, s’il vous plait.

John Quinn

 

 

 


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Past and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools




Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.