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The Golden Age - Siglo de Oro King JOHN IV of Portugal (1604-56)
Crux fidelis [9.51] Cristóbal de MORALES (ca.1500-53)
Kyrie (Mass Mille Regretz) [4.51] Tomás Luis de VICTORIA (1548-1611)
Versa est in luctum [3.33] Diogo Dias MELGAS (1638-1700)
In ieiunio et fletu [2.51] Sebastián de VIVANCO (ca.1550-1622)
Versa est in luctum [5.26] Juan Gutiérrez de PADILLA (ca.1590-1664) Versa est in luctum [3.24] Diogo Dias MELGAS
Pia et dolorosa mater [2.23] Alonso LOBO (1555-1617)
Lamentations [18.17] Versa est in luctum [5.03] Libera me [8.44]
The King’s Singers (David Hurley,
Robin Tyson, Paul Phoenix, Philip Lawson, Christopher
Gabbitas, Stephen Connolly)
rec. St. Andrew’s Church, Toddington, Gloucestershire,
30 May – 2 June 2007. DDD SIGNUM
SIGCD119 [64:31]
In Siglo
De Oro, the famed King’s Singers present music from
Spain, Portugal and South America from the sixteenth
and seventeenth centuries. Siglo de Oro refers
to the “Golden Age” of music-making in the Hispanic world
at that time. It was an age when composers created incredibly
rich and beautiful sound-worlds, of mainly deep and intense
mourning, but also of great spiritual joy.
The
disc commences with a tenderly sung version of Crux
fidelis by King John IV of Portugal – a musician, composer
and patron. It works well as the opening piece, and is
often used a Processional in King’s Singers concerts. The
lyrical Kyrie from Cristóbal de Morales’s Mass
Mille Regretz follows, before Tomas Luis de Victoria’s Versa
est in luctum, published in 1605. Victoria is probably
the best known composer on the disc, but it also features
three other settings of the same text – a lugubrious verse
of lamentation from the Book of Job. These are by
Sebastian de Vivanco, the maestro de capilla at Avila,
and later at Salamanca (where he taught at the University),
an intimate setting by the Spanish-born Juan Gutierrez
de Padilla (who later moved to Mexico), and a plaintive
rendition by Alonso Lobo, the latter most likely composed
for Philip II’s funeral in 1598. Lobo is well represented
here, with his touching Lamentations of the Prophet
Jeremiah (for Holy Saturday), and the glorious Libera
Me, which closes the disc. The final composer featured
is Diogo Dias Melgas, mestre da capela at Evora cathedral,
whose mournful In
ieiunio et fletu and
precatory Pia
et dolorosa mater are featured.
What
we have here is singing of the very highest order – superb
intonation, ensemble performance, and communication of
emotion. The works are deeply melancholic, and the King’s
Singers perform with tremendous intensity, making a deeply
moving anthology. Their soaring, beautifully blending voices
have a richness and smooth sonority that is amplified by
the resonant acoustic of the superbly chosen venue of St
Andrew’s Church, Toddington. A splendid uplifting disc.
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