MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


CD REVIEW

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

Not available in the USA

alternatively Crotchet

 

Wilhelm Furtwängler - The Early Recordings Volume 1
Johann Sebastian BACH
(1685-1750)
Brandenburg concerto no.3 in G major, BWV 1048 (1721) [10:40]
Air from orchestral suite no.3 in D major, BWV 1068 [5:05]
Wolfgang Amadeus MOZART (1756-1791)
Overture to Le Nozze di Figaro, K.492 (1786) [4:15]
Overture to Die Entführung aus dem Serail, K.384 [4:49]
Serenade no.13 in G major, K.525, “Eine Kleine Nachtmusik” [15:15]
Franz SCHUBERT (1797-1828)
Rosamunde – incidental music, D.797 (1823) [20:22]: ((i) Overture (Die Zauberharfe) [9:43] (ii) Entr’acte no.3 in B flat major [5:15] (iii) Ballet music no.2 in G major [5:24])
Berlin Philharmonic Orchestra/Wilhelm Furtwängler
rec. Hochschule für Musik, Berlin: 13 June 1929 (Bach Air and Schubert Ballet music no.2); 1930 (Bach Brandenburg concerto and Schubert Overture and Entr’acte); November 1933 (Mozart overtures); 28 December 1936 and June 1937 (Eine Kleine Nachtmusik)
NAXOS HISTORICAL 8.111136 [60:27]
Experience Classicsonline


A well known photograph, taken at a Berlin banquet in the summer of 1929, shows Arturo Toscanini on the eve of his departure for new career challenges in the USA. Flanking him are the luminaries of the German cultural capital’s music scene – Bruno Walter of the Berlin Municipal Opera, Erich Kleiber of the Staatsoper unter den Linden, Otto Klemperer of the Kroll Opera and the Berlin Philharmonic Orchestra’s chief conductor Wilhelm Furtwängler.
 
Even in that year of massive economic turmoil and political crisis, a truly fabulous array of music-making was obviously on tap for the city’s inhabitants. And Furtwängler, at the Philharmonic’s helm since 1922 and active in the recording studio since 1926, was – in spite of the rather distant and aloof posture he adopts in the photograph - at its very heart.
 
This first volume of a new Naxos Historical series that will focus on Furtwängler’s earliest recordings includes material that was clearly selected to have the widest appeal. As Colin Anderson’s booklet notes usefully remind us, the conductor regularly performed works by contemporaries such as Hindemith, Bartók, Schoenberg, Stravinsky and Ravel – but Bach, Mozart and Schubert were more obvious commercial choices when trying to sell records in the middle of a worldwide economic depression.
 
The disc gets off to a tremendous start with the Brandenburg Concerto no.3, a real “old school” performance with a powerful, stately and distinctly heavy-footed first movement that clocks in at a whopping 7:14 (check out a more modern recording from your shelves and you’ll find that somewhere around 5½ minutes is considered the “authentic” norm these days). I was very much reminded of Sir Adrian Boult’s last recording of the Brandenburgs where he attempted, with the full London Philharmonic Orchestra, to recreate the typical Bach sound of conductors such as Sir Hamilton Harty (and, as this recording demonstrates, Furtwängler) that he had been used to as a younger man.
 
Unlike many conductors, Furtwängler chooses not to interpolate material to bridge the gap before the subsequent Allegro, a far livelier affair - though still, given the involvement of the massed ranks of the BPO, a wildly “inauthentic” one.
 
Neither is authenticity the keynote of the Air from Suite no.3. The conductor’s interpretation is terribly, terribly slow and very, very deliberate – and yet, its consistency, the degree of intense musical concentration and the sheer quality of the performance all demand, once our own anachronistic 21st century preconceptions are set aside, the greatest respect on their own terms.
 
The Mozart tracks are all superbly performed, with an exquisite wit and polish, sensibility and refinement. An exceptionally lively Die Entführung overture emerges with particular success and, while less individually characterised, the carefully moulded and controlled Eine Kleine Nachtmusik is also a delicious treat.
 
That 1936-1937 Mozart recording is immediately followed by one of Schubert’s Rosamunde incidental music that dates from six or seven years earlier and, moreover, derives from an entirely different recording format. Placed thus, the latter’s sound deficiencies are emphasised even further by the comparison. Once the ear adjusts, however, it is clear that these interpretations are, as required, powerful and thrusting yet lyrical (the overture), sensitively and finely nuanced (the entr’acte) and carefully related to their musical context. As in all the tracks on the disc, Furtwängler’s characteristic emphasis on the bass line and wide dynamic range are especially notable.
 
The Berlin Philharmonic is, to no great surprise, revealed in Mark Obert-Thorn’s excellent sonic remastering as one of the most sophisticated orchestras of its era, notably more “modern” in its sound than, say, the portamento-prone c.1930 London Symphony Orchestra - though you will still find some swooning violins on these tracks too. When you then go on to consider the superb quality of the late 1920s Berlin State Opera Orchestra, well demonstrated on the disc of Klemperer conducting Brahms and Wagner that I reviewed here in March, it is clear that the citizens of Weimar-era Berlin really were – in the field of music, at least - living through a truly golden era.
 
Rob Maynard
 



 


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Past and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools




Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.