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Gomidas
VARTABED (1869-1935) Gomidas Songs (arr. orch. Serouj Kradjian)
see end of review for listing
Isabel Bayrakdarian (soprano)
Chamber Players of the Armenian Philharmonic Orchestra/Eduard Topchjan
Serouj Kradjian (piano)
rec. Aram Khachaturian Philharmonic Hall, Yerevan, Armenia, 28-29, 31 August,
1, 3-4 September 2005. DDD NONESUCH
511487-2 [55.10]
As
stated in the notes accompanying the CD, Gomidas Vartabed
was an Armenian composer, singer, ethnomusicologist, choirmaster
and pedagogue. His true name was Soghomon Soghomonian but
when he eventually took monastic vows and became a Vartabed
(celibate priest), he changed his name to Gomidas, as is
the practice in the Armenian Church. His songs are compositions
based on Armenian folk tunes that he researched throughout
the country, then developed and arranged, always taking care
to preserve their typical melodies and rhythms.
Pianist
Serouj Kradjian who orchestrated all the songs for this recording
and also wrote the notes to the CD booklet, mentions that
Gomidas never composed an opera, a symphony, oratorio or
concerto but that what he accomplished was actually greater.
Gomidas cleansed Armenian music of all foreign influences
and returned it to the people, therefore laying the foundations
of a national music culture, which earned him the title of “father
of Armenian classical music”.
Gomidas was arrested on 24 April 1915, which marked the beginning
of the so-called Armenian Genocide by the Ottoman Empire.
Together with other Armenian notables, he was deported to
a city in northern Central Anatolia. Luckily, some international
dignitaries intervened with the government and Gomidas was
sent back to the capital after approximately two weeks. It
is said that he never recovered completely from the horrific
experience of the Genocide. He eventually died in a psychiatric
clinic, in Paris, in 1935. His ashes were transferred to
Yerevan, the capital of Armenia, the year after his death.
The works featured on this CD are extraordinarily evocative
of a people, a landscape and a rich musical tradition. Never
have I listened
to songs that I enjoyed so much where the music and lyrics
were alien to me. One does not need to understand the language
or to be a native Armenian to feel deeply touched and moved.
The credit for this achievement, however, does not belong
entirely to Gomidas who created them or to Kradjian who orchestrated
them but mostly to Isabel Bayrakdarian’s exquisitely beautiful
voice.
As stated on her website, Ms Bayrakdarian was born in Lebanon of proud
Armenian heritage and has now become a citizen of Canada.
She moved with her family to Toronto as a teenager and her
earliest singing experience was at church. She is married
to Serouj Kradjian, who, as mentioned above, orchestrated
the songs on this CD. She also holds an honours degree in
Biomedical Engineering from the University of Toronto. Her
singing is deeply personal, full of heartfelt sentiment and
delicacy. Her tone is smooth, warm and pure; she is excellent
in the lowest register of her voice and positively luminous
in the highest; appearing equally comfortable when singing
in mezza voce. She possesses a brilliant coloratura and
an impeccable legato, expressively using her instrument
and adapting it to the nature and meaning of each particular
song.
Her voice is delightfully tender in Oror (Lullaby); delicate
yet vivacious in Dzirani Dzar (Apricot Tree) and Karoon
a (Spring); dazzling in Alakyaz / Khngi dzar (Mount
Alakyaz / Incense Tree); loving and sweet in Akh Maral
jan (Ah, Dear Maral). She can sound alluring yet innocent,
powerful yet fragile; her voice is full of colour and contrast
and these wonderful qualities come clearly across on this
recording. Hers is a voice rich in harmonies and dramatic
expression that will delight one no matter what she is singing.
I had never before listened to her and knew her name only
from having read an article about her in the June 2005 issue
of “Opera
News”, the opera magazine from the Met in New York. Therefore,
this CD constituted a wonderful surprise as well as a fascinating
discovery. It not only revealed to me a truly beautiful voice
but also motivated me to read and learn more about Armenia
in general and that country’s music in particular.
The songs are lovingly and expertly orchestrated by Serouj
Kradjian who also plays the piano, accompanying some of the
pieces.
The chamber players of the Armenian Philharmonic are excellent,
effectively cushioning the soloist’s beautiful voice and
never overwhelming it. Throughout the CD, they display a
deep understanding of the music, of the characteristics of
the human voice in general and of Bayrakdarian’s in particular.
Together they have created a wonderful recording of Vartabed’s
songs, transforming them into precious and rare gems. This
music is traditional and evocative, yet universal in its
melodic appeal.
Margarida
Mota-Bull
Editor’s note
The extraordinary voice of Isabel Bayrakdarian
may well be known to those who have seen the Two Towers (from
the Lord
of the Rings trilogy) where the film score is by Howard
Shore. Shore heard one of Bayrakdarian CDs and this was the
trigger for her involvement in the recording.
Track-Listing
1.
Oror (Lullaby)
2.
Gakavi Yerke (Song of the Partridge)
3.
Manoogneroo Hayr mer (Children's Prayer)
4.
Work(s) - (Verginkn ambel e (The Cloudy Sky) / Antsrevn yegav
(It' Raining))
5.
Dzirani Dzar (Apricot Tree)
6.
Karron a (Spring)
7.
Work(s) - (Alakyaz (Mount Alakyaz) / Khngi dzar (Incense
Tree))
8.
Unabi (Dance of Unabi)
9.
Shooshigi (Dance of Shooshig)
10.
Keler tsoler (Striding, Beaming)
11.
Work(s) - (Hoy Nazan (Oh Nazan) / Shakhgr shookhgr (Jingle-Jangle))
12.
Akh Maral jan (Ah, Dear Maral)
13.
Kele kele (Strolling)
14.
Chinar es (Tall as the Poplar Tree)
15
Chem grna khagha (I Cannot Dance)
16.
Ervoom em (I'm Burning With Love) / Shogher jan
(Dear Shogher))
17.
Voh inch kaghtsr pan (Oh, What a Delight!)
18.
Groong (The Crane)
19.
Andooni (Without a Home)
20.
Tsayn door ov dzovag (Call to the Sea)
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