MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


CD REVIEW

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


 

Anna BON DI VENEZIA (c.1740-1767?)
Six Sonatas for Harpsichord, Op.2 (1757)
Sonata I in G minor [9:46]
Sonata II in B-flat major [9:53]
Sonata III in F major [11:58]
Sonata IV in C major [8:05]
Sonata V in B minor [12:46]
Sonata VI in C major [11:33]
Barbara Harbach (harpsichord)
rec. Readfield, Wisconsin, January 1998
MSR CLASSICS MS1241 [64:45]
Experience Classicsonline


I first heard the music of Anna Bon some ten years ago when, in a music shop in Arezzo, I stumbled across a CD (Mondo Musica MM96006) of her Opus 1, VI Sonata da camera, per il Flauto Traversiere e Violoncello o Cembalo, played by Claudio Ferrarini (flute), Andrea Corsi (bassoon) and Francesco Tasini (harpsichord). That collection was published in 1756, when Bon was only sixteen. All of the sonatas are in three movements, full of florid melodic lines above a slowly changing harmonic bass. While hardly revolutionary or profound, the Opus 1 sonatas are striking evidence of considerable musical precocity. The six harpsichord sonatas which constitute Bon’s Opus 2 are more impressive still and, stylistically speaking, more forward looking – and, remember, their composer was probably only seventeen at the time.

Details of Bon’s life are somewhat sketchy. On the title pages of both the flute sonatas and the harpsichord sonatas (published as Sei Sonate per il cembalo) she is described as “Anna Bon di Venezia”. She was probably the daughter of Girolamo Bon, a Venetian architect, painter and theatre designer and his wife, Rosa Ruvinetti, an opera singer originally from Bologna. Girolamo Bon worked in Germany (by turns in Berlin, Dresden, Potsdam, Frankfurt and Bayreuth) between 1746 and 1761. Anna Bon’s first two publications appeared from a press in Nuremberg. She appears to have married an Italian tenor called Mongeri and, in 1767, to have been resident with him in Hildburghausen in Thuringia, central Germany. After the harpsichord sonatas she published only VI Divertimento per due flauti e cembalo, 1759. The present CD gives 1767 as the date of her death, but on what evidence is not clear. She disappears from the records around then, but she may well have continued to live beyond that date, without contributing to the world of music. Or, just possibly, there is work yet to be discovered in manuscript.

The six harpsichord sonatas - some of them would work quite well, I suspect, on the fortepiano - are all in three movements. Barbara Harbach puts the matter rather well in her booklet note, when she writes that “the pieces are a mixture of the German musical style and Italian rhythm and temperament”. Several of the slow movements – such as the andantino in Sonata I – have considerable elegance about them; the adagio of Sonata III is emotionally expressive in a way that reaches well beyond the Opus 1 Flute sonatas. The gallant is infused with anticipations of later developments. Bon’s music here seems to claim for her a place amongst the musicians of what one might, at the cost of some simplification, describe as the gradual shift from the musical paradigms of the baroque to those of early classicism.

Bon’s formal invention is considerable and various. There are movements in simple binary form, there are movements built around variations; some movements are ternary in structure, some are through composed. Barbara Harbach’s playing complements such variety in the well judged use which she makes of a wide range of registrations. The instrument she plays is a copy, made in 1989 by Willard Martin, of a two manual harpsichord made, in eighteenth century Paris, by François Blanchet – and what a nice range of thoroughly musical sounds it makes! Player and instrument bring out the dramatic dimensions of some of Bon’s music – as in the allegro moderato which opens Sonata V, full of unexpected and expressive pauses, rich chords and dotted rhythms. Like much else on the CD it persuades one that a good deal was lost when – presumably – Bon swapped the life of composition for life as a married woman.

Clearly and brightly recorded - but not overly so - this makes a very persuasive case for the precocious musical virtues of the young Anna Bon and will surely interest and give pleasure to all lovers of the harpsichord tradition. The ‘feminist’ reclaiming of lost writers, composers, painters etc. has sometimes involved some over-generous aesthetic judgements. Bon needs no special allowances – this is fine music.

Glyn Pursglove



 


 


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Past and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools




Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.