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Baroque Trumpet Concertos Giuseppe TORELLI (1658-1709)
Sinfonia for Trumpet in D major, G.4 (1693) [3:11] Tomaso Giovanni ALBINONI (1671-1751)
Oboe Concerto in D minor, Op. 9, No. 2 (1722)* [10:45] George Frideric HANDEL (1685-1759)
Suite in D major, HWV 341, ‘The Famous Water Piece’ (1733) [7:45] (I. Overture
[1:44]; II. Gigue: Allegro [1:50]; III. Air [1:48]; IV. March (Bourrée) [1:07];
V. March [1:17]) Johann Friedrich FASCH (1688-1758)
Concerto a 8 in D major, FWV L:D1 [6:04] George Frideric HANDEL
Oboe Concerto No. 3 in G minor, HWV 287 (1703?)* [8:20]
Domenico GABRIELLI (1651? 1659?-1690)
Trumpet Sonata No. 4 in D major [5:36] Georg Philipp TELEMANN (1681-1767)
Oboe Concerto No.21 in F minor, TWV 51:f1* [8:07]
Sonata in D major, TWV 44:1 [8:43]
* arranged for trumpet by Andreas Eichele/Thomas Reiner
Thomas Reiner (trumpet)
Southwest German Chamber Orchestra Pforzheim/Sebastian Tewinkel
rec. Matthäuskirche, Pforzheim, Germany, 23-24 March 2006;
18-20 May 2006; 26-27 February 2007. DDD.
Booklet with notes in English and German. NAXOS 8.570501 [59:15]
At first sight,
this looks like a collection of the usual baroque trumpet
suspects but closer inspection reveals several surprises. Domenico
Gabrielli was a completely new name to me, though I should,
perhaps, have known this sonata at least, since the music
is available online (see below for details). It is, in fact,
an attractive enough piece.
Not all the
music on this CD started life for the trumpet: the Albinoni,
Handel Concerto No.3 and the Telemann Concerto all began
as oboe concertos, here played on the piccolo trumpet in
what the notes describe as “apt transcriptions”. This may
be due in part to a desire not to duplicate items available
on several other Naxos CDs of the baroque trumpet repertoire – The
Art of the Baroque Trumpet, Volumes 1-5; Famous Trumpet
Concertos, Imperial Fanfares and a disc of Trumpet
Concertos by Haydn, Hummel, Neruda and Weber – but, in fact,
there is overlap with, for example, The Art of the Baroque
Trumpet Volume 1 which contains both the Fasch concerto
and Handel’s celebrated Water Piece.
The Albinoni
is one of the best-known concertos from his Op.9 collection. How
apt the listener finds the transcription will depend on the
extent to which one tolerates the more insistent trumpet
by comparison with the much gentler oboe original. Those
who do not know the original will probably find the result
very acceptable; those acquainted with the original will
be harder to convince. In good performances of Albinoni’s
original Op.9 concerti, the oboe is a partner with the orchestra – Albinoni
described these as concertos with rather than for oboe – in
the trumpet transcription here the soloist definitely dominates. By
comparison with the version of the original by Pierre Pierlot
and I Solisti Veneti under Claudio Scimone the slow movement
(Adagio) sounds rather too hurried (4:02 against 6:00)
and the ornaments less elegantly executed on the trumpet
than on the oboe. This Warner
Apex CD
(0927
49020 2) of seven of the Op.9 concerti is the most recommendable
version in the same
price range as this Naxos CD. The complete 2-CD set of Op.9
on Ultima 3984 25593 2 also seems still to be available,
despite the Penguin Guide’s statement to the contrary. Naxos
themselves also have three recommendable CDs combining concertos
from Op.7 and Op.9 (Op.9/2 is on 8.550739: the Adagio on
this version, at 5:23, is closer to the Pierlot/Scimone tempo
than to the version on the new Naxos CD). There is an absurdly
inexpensive Brilliant Classics set of the Op.7 and Op.9 concertos
(92791). There
are also recommendable bargain-price discs containing Op.9/2
from Regis (RRC1095) and Virgin Veritas (5 61878 2, a 2-CD
set of Albinoni and Telemann). At full price, the complete
AAM/Hogwood version (458 129 2) is the best recommendation;
the Chandos Chaconne set with Collegium Musicum 90 is also
very recommendable but less conveniently presented on 3 CDs,
each containing concertos from Op.7 and Op.9. (Op.9/2 is
on CHAN0579).
Other than
in the Adagio of the Albinoni, tempi on the new CD
are mostly apt – in the Handel Water Piece, for example,
each movement is within a few seconds of Naxos’s own rival
version on The Art of the Baroque Trumpet Vol.1. If
the Albinoni is the best music on the disc, this arrangement
of music largely ‘borrowed’ from Handel’s own works, is the
best piece on the CD originally composed for trumpet. The
Overture is, perhaps, a little lacking in grandeur but the
other items, especially the graceful Air (minuet)
central movement, not one of the ‘borrowings’, go well.
Handel’s Oboe
Concertos are not among his most commonly recorded pieces,
though there are fine bargain-price versions of them on Regis
(RRC1106) – a
splendid disc, according to Christopher Fifield’s
review) and Naxos (8.553430). The trumpet transcription
on the new CD is well played though, as in the Albinoni,
the trumpet sounds more prominent than the oboe and the Sarabande:
Largo movement sounds rather too fast by comparison with
Naxos’s own version of the original (2:06 against 3:02). Both
here and in the transcribed Telemann Oboe Concerto the trumpet
versions sound well enough in their own right but most will
prefer them on the instrument for which they were written.
I have already referred to the availability of the icking online score of
the Gabrielli. A
score of the Torelli Sinfonia may also be found at icking-music. (NB:
this is an arrangement for a modern orchestra but if you
ignore the double-bass part, which doubles the cello or the
harpsichord left-hand, you get more or less what Torelli
wrote.) The Albinoni, in an arrangement for trumpet and
organ, is also available at icking. (The
solo part in this score is given to the organ at bars 26-33.) In
all three cases the movements have to be downloaded separately
but none of the movements constitutes a large file. Scores
of some of the other works on this CD may be found by looking
on the composer-index at icking.
All the music
on this CD is well worth hearing, though with my stated reservations
in the case of the transcriptions. Some will find these
reservations paramount, but if the repertoire appeals, these
are generally reliable performances – the odd over-fast slow
movement in the transcribed works excepted – with good solo
playing, orchestral support and recording. I had not encountered
Thomas Reiner, the soloist, before, other than as a member
of Atlantis Brass. The notes in the booklet, which refer
to his “lightness in the upper register … reminiscent of
the natural trumpet, while retaining the brilliance of the
modern instrument” have it about right: he does, indeed,
strike a good balance between the two, though I could have
wished for more elegant ornamentation in places. Reiner
has featured as a member of the Arta Trumpet Ensemble in
a baroque concert on Arta ACD6060, a now-deleted CD which Roy Brewer here
on Musicweb felt “missed the baroque spirit by several miles”,
though admiring the proficiency of the playing. On the evidence
of the present recording, matters have evidently improved.
The SW German
CO, too, recording veterans, strike a reasonable balance:
a moderate-sized ensemble of modern instruments employing
many of the techniques of period performers. They have been
directed by Sebastian Tewinkel since 2002, though he, too,
was new to me and I have been unable to find any reviews
of his performances.
Competition
in this repertoire is fierce, even in this lowest price-range. Håkan
Hardenberger on a mid-price Philips Duo (464 028 2) offers
excellent performances; though entitled ‘Famous Classical Trumpet
Concertos’, this 2-CD set also contains some baroque works. At
around the same bargain price as the Naxos, Crispian Steele-Perkins
on RRC1053 – a
superb Regis reissue of an IMP original which I have long
treasured – and in more out-of-the-way works on Hyperion
Helios CDH55192 is
also strongly recommendable. Of the various volumes of Naxos’s
own Art of the Baroque Trumpet, all starring Niklas
Eklund on baroque trumpet, with various orchestras, Volume
4, with the period-instrument Drottningholm Ensemble (8.554375)
has had good reviews in some quarters and Volume 5 (8.555099)
was very well received by Roy Brewer here on Musicweb. None
of these CDs involve duplication of material on the new disc.
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