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Johannes
BRAHMS (1833-1897) Cello Sonata in E minor, Op. 38 (1862-1865)
[28:45] Cello Sonata in F major, Op. 99 (1886) [28:50]
Benjamin Shapira (cello); Shulamith Shapira (piano) rec. The Classical Studio, June 2007? DDD IRC
214 [57:37]
This
is the Shapiras’ second disc to be reviewed here (see Stephen
Francis Vasta’s review
of the Romantic Cello Music) and the first to contain two of the
staples of the cello sonata repertoire. As with the earlier release,
this seems to be distributed only by Taltal Productions in Ridgefield, New Jersey, either
by phone or over the Internet. I could find no listings by any
of the larger distributors. Details of the recording as listed
on the jewel box are very sketchy. For example, there is no indication
where “the Classical Studio” is located and the only date on the
case is 6/7. I assume it was recorded this past June. The booklet
accompanying the CD begins with two pages devoted to the artists
and their successes, reading like an advertisement for them.
However, Mr. Shapira also provides an interesting and insightful
note on the music — something that was lacking for the earlier
release.
For
a disc containing barely an hour of music and being sold - as
far as I can tell - for something higher than mid-price, it
would have to offer something special in order to be competitive
with the many great performances of these sonatas that have
been recorded heretofore. I fear that this is not the case.
Cellist and pianist play all the notes accurately, but seem
to have very little to say about the music beyond a very literal
interpretation that tends towards the stolid. All one need
do is listen to Ma/Ax (Sony) or Rostropovich/Serkin (DG) recording
to hear the difference. For example, in the second movement
of the E minor Sonata where Ma/Ax and Rostropovich/Serkin dance
lightly with real variety of tone and attack, the Shapiras just
seem to plod along with little to attract the listener. The
movement, after all, is marked Allegretto quasi menuetto.
It’s partly a question of tempo, for the Shapiras are about
30 seconds slower than the others: 6:13 vs. 5:50 for Ma and
5:34 for Rostropovich,
but that is not by any means the whole story. It is also question
of phrasing and overall character. This holds true throughout
the sonata. I found the Shapiras’ performance of the F major
Sonata somewhat more interesting, but not enough to recommend
the disc.