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Christopher
BALL (b. 1936)
Clarinet Concerto (2006) [24:20] Four Dances for wind trio [10:35]
Flute Concerto (2006) [23:44] Irish Suite [11:38]
Leslie Craven (clarinet)
Adam Walker (flute)
Paul Arden-Taylor (oboe)
Emerald Concert Orchestra/Christopher
Ball
rec. 27-28 July 2006, All Saints Church,
Weston-super-Mare. DDD
QUANTUM QM7040 [70:15]
Christopher Ball, himself a clarinettist
who played in the ranks of the Hallé,
wrote his Clarinet Concerto specially
for Leslie Craven, Principal Clarinet
of the Orchestra of Welsh National Opera.
Fittingly Mr Craven, the dedicatee who
premiered the work, is also the soloist
here. The idiom is melodic and completely
approachable. The outer movements have
orchestra and solo darting and gambolling
allowing time for poetic asides. There
is nothing as gauchely explosive or
as despairing as the Nielsen. The parallels
are rather with the more animated segments
of the Finzi Concerto especially in
the outer movements. In the finale Ball
casts admiring glances towards a world
mellifluously torn between neo-classical
Holst and Mozart. The central movement
is more reflective with its theme a
close cousin to the Londonderry Air
which Ball arranges for ardently
throbbing full string orchestra as the
third movement of his Irish Suite.
This is all very tuneful music and if
he feels any pull towards dissonance
the composer resists it with complete
assurance. Ball stays true to the vision
that as an eleven year old drew him
back time and again to the clarinet
solo introduction to Butterworth’s Bank
of Green Willow.
The characterful Four Dances for
wind trio were written as an affable
and swaggeringly cheery companion to
Malcolm Arnold's Divertimento which
uses the same combination of flute,
oboe and clarinet. Like all the other
pieces it is superbly recorded by Paul
Arden-Taylor, a very familiar and well
respected name, who here puts in an
appearance playing the oboe. The venue
in Weston-super-Mare should become a
popular hire fixture; it has a most
agreeably rich yet cleanly focused sound.
The painting The Idyll by Lord
Leighton (1830-1896) inspired the slow
movement of the Flute Concerto and it
graces the cover of the booklet. Adam
Walker, the dedicatee, was a finalist
at the age of sixteen in the 2004 BBC
Young Musician of the Year competition,
performing Nielsen's flute concerto.
The ravishing sound of the flute in
the Ball concerto is ripe and sultry.
It is completely consonant with the
warm and doe-eyed smile of summer that
suffuses this score yet with the occasional
hint of a bluesy sway. A more spring-like
impulse animates the Rondo finale –
again with a faintly neo-classical tinge.
The Clarinet Concerto orchestra is for
strings only while the Flute Concerto
sports a full orchestra.
Christopher Ball’s Irish Suite springs
from two Irish pieces originally written
for clarinet and piano and which he
then arranged for orchestra for the
BBC. The four movements bow the knee
to sentimentality yet keep their dignity
and show a clean pair of heels in the
second movement and in the Arnoldian
finale.
Mr Ball, no plagiarist, traces his singing
lineage back to Butterworth and Finzi.
I am sure we will hear more from him;
I hope so. If you cannot wait – and
don’t be surprised if you hear this
CD on Classic FM – another CD of his
music has been around since 2003, this
time from Pavane.
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