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Sir Arthur SULLIVAN (1842-1900)
Pineapple Poll Ballet
Suite (arr. Sir Charles Mackerras, 1951)
[29:53] Giuseppe VERDI(1813-1901) The
Lady and the Fool Ballet Suite (arr. Mackerras,
1954) [29:58]
London Philharmonic
Orchestra/Sir Charles Mackerras
rec. Henry Wood Hall, Southwark, March 1977 CLASSICS
FOR PLEASURE 3932312 [60:01]
Sullivan died in
1900, and his music therefore became free of copyright restrictions
in 1950. This meant that the young Charles Mackerras could
suggest to the choreographer John Cranko that
it be used for a ballet whose scenario should be based on one
of W.S. Gilbert’s “Bab Ballads”. Its success
was justified, and the score has remained a great favourite ever
since. Mackerras himself has recorded at least three
complete versions - with the Sadlers Wells, Royal Philharmonic
and Philharmonia orchestras - which
have come and gone regularly in the catalogue. In addition
other recordings are available of various suites, including
arrangements for wind and brass bands, and, even less likely,
for pianola (by Rex Lawson). The
present recording was part of series sponsored by Messrs W.D. & H.O.
Wills and comprises about two-thirds of the ballet, omitting
four of the twelve sections: Poll and Jasper’s solos in Scenes
1 and 2 respectively, Poll’s solo in Scene 3, and the Entry
of Belaye with Blanche as his bride. Whilst for the
enthusiast these cuts are likely to be unforgivable, the music
which is
left may be too much for the general listener, so that this
version falls firmly between two stools. This is a great pity
as the performance and recording are both very satisfactory,
with Mackerras showing no signs of
routine or boredom with his lively and inventive arrangements.
The Lady and
the Fool followed in 1954, with the same choreographer
and arranger but this time with music selected from Verdi’s
early operas which at that time were rarely heard outside
Italy. However, much as I love both those operas and admire
the ingenuity of the arrangements, I find the result far
less memorable or interesting. This is largely due to the
change of character necessarily imposed on the music extracted.
Whereas with Sullivan Mackerras is
all the time cunningly to be bringing out the implications
of what is there already, with Verdi he seems to be turning
it into a wholly different kind of work. I accept, however,
that others may not share this view, and certainly the results
are always worth hearing, especially when performed with
such panache and sensitivity. Again, as with Pineapple
Poll, there are extensive cuts, and, again, Mackerras has
recorded the whole score - with the Philharmonia,
last available on Testament. It is a pity that nothing has
been done to fill in the gaps in either ballet or to provide
better value by adding other pieces. Nonetheless, given the
quality of the performances and recording, and the full and
helpful notes, this remains a worthwhile purchase – but don’t
be surprised if having listened to it you want to go out
and buy a complete version of the ballets.
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