Editorial Board
MusicWeb International
Founding Editor Rob Barnett Editor in Chief
John Quinn Contributing Editor Ralph Moore Webmaster
David Barker Postmaster
Jonathan Woolf MusicWeb Founder Len Mullenger
Richard STRAUSS (1864-1949) Ein Heldenleben (1899) [44:23] * Metamorphosen (1945) [28:55]
Raymond Kobler (violin)*;
David Krehbiel (horn)*
San Francisco Symphony/Herbert Blomstedt
rec. 1994. DDD DECCA LONDON 436
596-2 [73:28]
This is an excellent
disc, and Arkiv is to be congratulated on returning it to circulation.
Herbert Blomstedt
made some fantastic records during his San Francisco years. His
incredible Nielsen cycle
dates from this period, as does his subtle Sibelius set, only
recently boxed up and reissued by Decca. He began his excellent Hindemith series
at this time too. That series has been reissued as a Decca
Trio, and Universal should do the same with Blomstedt's trio
of Strauss discs that date from the same period – this one,
his Alpensinfonie (also available from Arkiv)
and his Also Sprach Zarathrustra. Until they do, Arkiv
fills the gap with this on-demand disc.
From the opening
growl of the double basses, you sense that this is a great
performance, and one that is brilliantly recorded. The opening
portrait of the hero has swagger and tenderness, and plenty
of ear catching detail from the orchestra. There is mystery
as the hero starts his work, and tenderness in the portrait
of the hero's companion. Raymond Kobler paints her as skittish
and flighty but never nagging. His sweet tone is quite beguiling. The
aural perspective for the offstage trumpet fanfare before the
battle is superb, and the dark swirling of strings that follows
most mysterious. Perhaps the battle could build more, but
the flood of orchestral detail is superbly realised and again,
the lower voices are distinctive. The Don Juan moment
arrives with vigour and the final bars glow.
Kempe is
more flexible in his tempi, but with Blomstedt as with no other
conductor – not even Reiner – you
hear everything but lose nothing in warmth. Those low horn
parts and counter melodies in the lower brass and woodwind
register here as never before.
The virtuosity
of the San Francisco orchestra is also very impressive. The
brass in particular are simply superb. Michael Tilson Thomas
gets a lot of credit for the sound of his band, but recordings
like this remind us how lucky he was to inherit a superbly
trained ensemble from Blomstedt. True, they cannot quite match
the darker colours and sonorities of Kempe's Dresden Staatskapelle,
but the sheer energy and commitment of their playing and Blomstedt's
direction are persuasive on their own account.
I would not expect
that anyone will want to set aside their favourite historical
accounts for this disc, and certainly Kempe and Reiner will
remain at the top of my Heldenleben playlist, but Blomstedt
is fully worthy to sit alongside them. He and his orchestra
play this music for all it is worth and, with the help of the
Decca engineers, he allows you to hear all of the detail in
this lush score without sacrificing anything in commitment
or interpretation. The Decca engineers really do deserve a
lot of the credit for the success of this disc, with digital
sonics in the Culshaw tradition – bright and clear, allowing
the lower brass to cut through the strings without overwhelming
them.
In short, this
is the best modern Heldenleben I have heard, certainly
more energised than the equally well recorded Previn on
Telarc. Though it may yield ever so slightly to Kempe's and
Reiner's classic accounts interpretatively, it outclasses both
in the quality of its sound. If you like your Richard Strauss
vigorous and in full technicolour sound (as it is scored),
then you will want to hear this performance.
Metamorphosen is
an unusual coupling for Ein Heldenleben – though not
a unique one – and
it offers an interesting juxtaposition of the younger man's
self confidence with the older man's reflections, doubts and
nostalgia. Blomstedt's gives a loving, flowing performance,
and the San Francisco strings bring brightness, intensity and
precise ensemble to an account that again compares very well
with the old catalogue favourites. Again, Kempe and the Dresden
band are darker and more brooding, but Blomstedt's account
is still a serious contender. The clarity of the recording
actually gets in the way a little here, though, with some audible
breaths from the string players closest to the microphones
registering at moments of intimacy and intensity. I only noticed
this when listening through headphones and it is not overly
distracting, certainly not enough to detract from an excellent
performance on an excellent disc.
Reviews
from previous months Join the mailing list and receive a hyperlinked weekly update on the
discs reviewed. details We welcome feedback on our reviews. Please use the Bulletin
Board
Please paste in the first line of your comments the URL of the review to
which you refer.