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Into the Light Juan de ANCHIETA (1462-1523)
Con amores, la mi madre*+ [2:30] Johann PACHELBEL (1653-1706)
Canon*+ [3:38] Tomás Luis de VICTORIA (1548-1611)
O quam gloriosum est regnum [6:38] Heitor VILLA-LOBOS (1887-1959)
Five Preludes Gaspar FERNANDES (1570-1629)
A negrito de cucurumbé*+ [2:54] Heitor VILLA-LOBOS
Aria (Cantelina) Bachiana Brasiliera No.5*+ [7:11] Francisco TÁRREGA (1852-1968)
Recuerdos de la Alhambra [4:12] Mario CASTELNUOVO-TEDESCO (1895-1968)
From: Romancero gitano*
Procesión [1:57]
Paso [2:25]
Saeta [2:28] Thomas TALLIS (1505-1585)
God grant we grace*+ [2:18] Tomás Luis de VICTORIA
Alma Redemptoris Mater* [5:03] Miguel LLOBET (1878-1938)
Canço de lladre [1:59] Alexander BORODIN (1833-1887)
Polovtsian Dance*+ [4:07]
Kaori Muraji
(guitar)
The Sixteen/Harry Christophers*
Bob Chilcott (arranger)+
rec. St Giles, Cripplegate, London, 17-20 July 2006 DECCA 475
8199 [68:05]
A little bit like the Gabrieli Consort’s ‘Road
to Paradise’, this would appear to be a
programme with a concept behind it. This is not however given
any explanation in the booklet as, apart from the complete
song texts given only in their original languages, there
are no further notes at all.
With “Into
the Light,” The Sixteen are joined by classical guitarist
Kaori Muraji, an award-winning performer from Japan who already
has a brace of Decca releases in the shops. The programme
on this disc spans the great European choral tradition and
combines some familiar works with the gentle sound of the
classical guitar. This certainly makes for a unique choral
album, and with arrangements made specifically for this recording
by Bob Chilcott, formerly of the King’s Singers, one can
get some idea of what you might expect.
One
of the nicest aspects of this kind of collection are the
contrasts which can be built in. Unity is preserved through
the quality of the voices and the accompaniment, but as a
for instance, the pared down solo and guitar first part of
both of the Victoria workshave a magical transition
to the purely choral second part. Kaori Muraji is both a
sensitive accompanist and a musically accomplished soloist,
proving impressive in the Villa-Lobos Preludes, numbers
3 and 5 also having choral parts added and a vocal solo from
soprano Grace Davidson. Purists may resist such mucking about,
but these arrangements work surprisingly well, and anyone
with a taste for the gentle choral writing of, say, Herbert
Howells, will almost certainly find these interesting and
attractive.
Contrast
is a factor in the more rhythmic and declamatory style of
Gaspar Fernandes’s A negrito de cucurumbe, with which
the guitar sounds very much at home. I am a little less keen
on the arrangement of Villa-Lobos’s Aria. The guitar
takes on the part of the cellos, and the choral arrangement
has a little too much of that ‘Autumn Leaves’ feel – all
very nice, but you don’t really come away feeling that the
tune will stay with you for the rest of the day. While on
the subject of unusual arrangements: the Pachelbel Canon has
been turned by Chilcott into a prayer for the dead by adding
text from a poem by Oscar Wilde titled “Requiescat.” Muraji’s
guitar plays variations over the choir as they move through
the canon, which is of course one of those pieces which will
survive just about any treatment.
Another
evergreen classic is the Tárrega Recuerdos de la Alhambra,
which is nicely placed between the Villa-Lobos Aria and
three movements from Mario Castelnuovo-Tedesco’s Romancero
gitano on poems by Federico García Lorca – taken by the
choir, or the bass voice of Eamonn Dougan.
“God
Grant we Grace” is a blessing from a hymn by 16th-century
English church composer Thomas Tallis, the mixed voices of
The Sixteen blending beautifully in an ‘enriched’ arrangement
of this touching canon. The disc concludes with the gently
lyrical guitar solo Canço del lladre by Migule Llobet,
and ‘that tune’ from Borodin’s Prince Igor.
As
a package, this beautifully recorded and performed CD works
extremely well. Falling just short of being over-sentimental,
it does however lean heavily towards the sweeter kind of
repertoire beloved by wedding planners and the like. The
question is whether you want to buy into this perfumed sound-world,
and, not being able to answer this question on your behalf,
suggest you sample a few tracks for yourself. One thing is
for sure, I will gain many brownie points with the mother-in-law
if I give it to her for her birthday.
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