MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


CD REVIEW

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


alternatively Crotchet

Ludwig van BEETHOVEN (1770-1827)
Piano Sonata No. 7 in D, Op. 10/3 (1797/98) [22:33];
Piano Sonata No. 16 in G, Op. 31/3 (1802) [20:18]
Robert SCHUMANN (1810-1856)
Carnaval (1834) [25:24]
Annie Fischer (piano)
rec. BBC Studios, London, 19 May 1963 (Schumann); 11 November, 1987 (Beethoven). ADD
BBC LEGENDS BBCL 4199-2 [70:45]



Recordings by Annie Fischer are always revelatory and to be cherished. I caught her once live in recital – and a very beautiful occasion it was, too. This BBC Legends disc acts as a timely reminder of her stature.
 
The Beethoven sonatas are the most musically valuable part of the disc. That is not to say that Schumann's Carnaval is not without its high points. Those who despise wrong notes may wish to head straight for the sonatas, though. There are points of splashiness - it is live, after all. Fischer is clearly determined to project her interpretation come what may, but there are moments of great play, too ('Arlequin') as well as true intimacy and these can spill at a moment's notice into muscle-flexing rhetoric. The quasi-improvised 'Eusebius' is one of many moments of magic, and Fischer ensures that the ensuing 'Florestan' blazes in due contrast. Her letters dance cheekily, while the Presto of 'Pantalon' is given with a Bach-like toccata touch. It‘s anything goes for the hell-for-leather Presto of 'Paganini', but whether the final peroration of the 'Marche des Davidsbündler contre les Philistins' has a truly climactic effect is debatable.
 
Fischer is more human than Jorge Bolet on Decca - one of my benchmarks in this work. She is infinitely more inside the music than Aimard on Warner Classics but one has to contend with the occasional snowstorm of wrong notes and playing the cracks. The recorded sound is fine if a trifle thin and occasionally threatens to distort without actually doing so. There is enough here, though, to make me want to hear Fischer, live again but this time in Montreal in 1984, on Palexa 514.
 
The Beethoven Op. 10 sonata heard here is given a serious performance, but an affectionate one. The Presto is no headlong rush, but has a real grace and attendant dignity. The Largo e mesto second movement is one of Beethoven's most profound utterances of any of his three periods. Fischer finds just the right intensity at a speed that nevertheless allows for flow. Sforzandi make emotional points without any forcing of tone. The third movement does not quite emerge seamlessly from the final repeated low Ds of the Largo; just a touch awkward. Yet the finale is replete with humour as well as a definite exploratory bent.
 
Fischer finds humour, too, in the first movement of Op. 31/1. Her fleet fingers have no problems with the tricky semiquaver articulations. It is the Adagio grazioso slow movement that is the highlight with some miraculous, bejewelled right-hand decorations. At around 4:57 there is the most wonderful pedal-free effect that is guaranteed to bring a smile to anyone's face. The finale, too, is easy-going, ambling its way reassuringly along.
 
Buy this for the Beethoven, in particular, and enjoy the Schumann for what it is – a live performance in which Fischer let go of inhibitions, no matter what the consequences.
 
Colin Clarke
 



 


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 

Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.