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Bauernmusik revisited - Swiss Peasant
Music for Brass Quintet
Farmers’ Music of 1850, played on original instruments and arranged
by Basil Hubatka Anonymous: Galop No 8 (1854) [1:21];
Polka No 14 (1854) [2:24]; Lied No 21 (1854) [1:49]; JohannFUCHS (1866-1929)
Schwyzer Mazurka [3:16]; AloisITEN (1814-?)
Polka/Schottisch [2:22] Ferdinand LÖTSCHER (1842-1904) Ländliche
Tänzer for 6 Winds: “D’Stanserhorn Bahn” (Schottisch) [1:54]; “Er
het nüüme mit mer!” (Mazurka) [3:44]; “Itz mach mere mol: o
waie” (Schottisch) 2:59]) Bauernmusik revisited, 13 pieces 1850-1945
arr. brass quintet by Urs Pfister FerdinandLÖTSCHER (1842-1904) “Use mit-m!” (Galop)
[2:08] Anonymous: Ländler
(c1900) [1:46] Gabriel KÄSLIN (1867-1951) Schäfli-Schottisch,
[3:02] Josef STUMP (1883-1929) Gruss
an die March [2:43] Josef DENIER (1914-2005) Ännet
dem Klausenpass, [2:40] MarcelTSCOPPMazurka (c1850) [2:53], Dominik MÄRCHI (1901-1961) Immer
flott [3:05] Kasi GEISSER (1899-1943) Plappermäulchen
[3:02] Hermann LOTT (1904-1992) So
gaht’s im Rössli z’Rothenturm) [3:06] Josef ZGRAGGEN (1886-1971) Gruss
vom Maderanertal [3:50] Sepp BOSCHI (1917-1983) Kleine
Bernadette [2:55] Jost RIBARY senr. (1910-1971) Rosenzeit
[2:56] Karl STÄDELI (1905-1981) Quecksilber
Schottisch [3:07]
Lucerne Chamber
Brass (Martin Bieri, Basil Hubatka (trumpets); Phillipp Schulze
(horn); Pirmin Rohrer (trombone); Daniel
Schädeli (tuba)) with Dani Häusler (clarinet) (Lötscher)
rec. 4-7 July 2006, Kongressaal Hasliberg-Goldern MUSIQUES
SUISSES MGB CD 6250 [57.46]
There
are no fewer than 21 tracks on this CD, and I defy anyone
to avoid grinning during the first five: a gallop, polka,
Swiss mazurka, polka/schottische and song, all played on
instruments dating from around 1900. As the extensive notes
explain, “since the state of the instruments was not wholly
good, and they had not been played for decades, the Bernese
wind instrument specialist Fritz Burri revamped them to make
them more or less playable once more. The resultant intonation
problems were predictable, and offered not just a new experience,
but also were the cause of many a laugh during rehearsals.” Clearly
by the time of the recording the intonation problems had
been solved, but a good time was still being had by all.
These short pieces had been found in a set of part-books
dating from 1854 belonging to the music society of Hundwill
in Canton Appenzell. They may lack sophistication or subtlety
but even in the rather dry acoustic in which they are recorded
their cheerfulness and innocence is very winning.
The
second, shorter, group comprises two Schottisch and a mazurka
composed by Ferdinand Lötscher, about whom no information
is given other than his dates. Here modern instruments are
used and the quintet is joined by a reedy but virtuosic clarinet.
The resulting sound immediately reminds this listener of
an accordion, and if the pieces are less interesting than
the first group they do give an attractive change of texture
and at under nine minutes in all they do not outstay their
welcome.
The
third and longest group is of pieces by a variety of composers
and from a variety of dates, all arranged by Urs Pfister.
The booklet claims that “we have ascertained that while Urs
Pfister’s arrangements do sound somewhat unusual to experienced,
traditional listeners, they nevertheless confirm that the
arrangements still sound like folk music”. That is however
by no means the whole story – what they sound like is the
kind of light music arrangements of folk music by, say, Ernest
Tomlinson or William Alwyn. Whilst enjoyable in themselves
I cannot see how in any meaningful way they “sound like folk
music”. I should however stress that they are enjoyable in
themselves. The many effects employed include an imitation
of yodeling in an anonymous Ländler of about 1900 (Tr 10)
and an imitation of a repeating groove in the “Rozenzeit” waltz
of 1945. These are all great fun, although the limits of
variety in scoring and character are soon reached. Nonetheless
taken in small quantities they are all readily enjoyable.
Overall this is an unexpectedly enjoyable recording which
offers much innocent pleasure.
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