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OF THE YEAR
RECORDINGS
OF THE MONTH
RECORDING
OF THE MONTH Ludwig
van BEETHOVEN (1770-1827) Symphony
No. 3 in E flat major, Op. 55 Eroica (1803) [44:25]
Twelve Contredanses, WoO. 14 (1802): No. 1 in C major [0:28];
No. 2 in A major [0:32]; No. 3 in D major [1:00]; No. 4 in
B flat major [0:28]; No. 5 in E flat major [1:07]; No. 6 in
C major [1:11]; No. 7 in E flat major [0:33]; No. 8 in C major
[0:28]; No. 9 in A major [0:28]; No. 10 in C major [0:57];
No. 11 in G major [0:31]; No. 12 in E flat major [1:40] Funeral
March from the incidental
music to Leonore Prohaska, WoO. 96 (1815) [4:57] Romance No. 1 in G major,
Op. 40* (c. 1800-02) [5:34]
Romance No. 2 in F major, Op. 50* (c. 1795) [7:04] Katarina
Andreasson (violin)* Swedish Chamber Orchestra Örebro/Thomas Dausgaard
rec. Örebro Concert Hall, May, October 2002. DDD SIMAX
PSC 1281 [71:34]
[MG]
This
performance of the Eroica symphony lets you see it in a new light
and in a context that is itself fresh and illuminating … see Full
Review
RECORDING
OF THE MONTH Johannes
BRAHMS (1833-1897) Hungarian
Dances - four hands (1-10, 1868; 11-21, 1880) Steven
and Stijn Kolacny (Steinway D piano) rec. DSD, Galaxy Studios,
Mol, Belgium, 28 March 2002. 2.0 stereo and 5.1 surround SACD
tracks, 2.0 stereo CD tracks.
Notes in Nederlands, Français, English, and Deutsch. Photos of artists and composer ETCETERA
KTC 5250 [52.27] [PSh]
The
best version of these brilliant works to date, a must for all
Brahms collectors. ... see Full
Review
RECORDING
OF THE MONTH Gustav
MAHLER (1860-1911)
Symphony
No. 2 Resurrection (1888-1894)
[76:66]
Christine Schäfer, (soprano) Michelle
DeYoung (mezzo) Wiener Singverein Wiener
Philharmoniker/Pierre Boulez rec. Grosser
Saal, Wiener Musikverein, May-June 2005.
DDD
DEUTSCHE GRAMMOPHON 00289 477 6004 [76:66] [AOz]
This
performance really does give a new perspective
… truly inspirational. ... see Full
Review
RECORDING OF THE MONTH Jacques
OFFENBACH (1825-1892)
Ballade symphonique La
Vie Parisienne (1866) (Preludes
to Acts I, 2, 3, 4, 5; Melodrama of the
Entrance of the Masks; Melodrama of the
glove and bootmakers) Les Bergers,
Prelude to Act 1 (1865) La Périchole
(1868-74) (Preludes to Acts 1, 2, and scenes
3, 4; Indian March; Melodrama of the acrobats;
Melodrama of the letter; Melodrama of the
King’s place setting; Melodrama of Piquillo’s
goal; Melodrama of the old prisoner; Melodrama
of the escape) Sur un volcan,
overture (1855) Orphée aux Enfers
(1858) (Preludes to Scenes 1, 3, 4; Melodrama
of Eurydice’s death; Melodrama of the depart
of the Underworld; Melodrama for the anger
of public opinion; Melodrama of Orpheus
in the Underworld Ba-ta-Clan
(1855) (Overture and Chinese March; Exit;
Melodrama of Florette’s round) Barbe-Bleue
(1866) (Prelude to Acts 1, 3 (Storm), 4;
Melodrama of the reception; Melodrama of
the dénouement) Les Souvenirs d’Aix-les-Baines,
waltz suite (1873)
Orchestre National de Montpellier/Jean-Christophe
Keck rec. Montpellier, France, 2005. DDD
ACCORD 476 8999 [77:14] [RW]
Fresh
material from Offenbach, much not previously
recorded although many of the titles are
familiar. Quite fascinating. Delightful.
... see Full
Review
RECORDING
OF THE MONTH Gioachino
ROSSINI
(1792-1868)
Matilde di Shabran - Melodramma
giocoso in two acts (1821) Matilde, Annick
Massis (sop); Corradino Ironheart, Juan
Diego Florez (ten); Raimondo Lopez, Eduardo’s
father, Bruno Taddia (bass); Edoardo, Hadar
Halevy (mezzo); Aliprando, physician, Marco
Vinco (bass); Isidoro, poet, Bruno de Simone
(bass); Contessa d’Arco, Chiara Chialli
(sop); Ginardo, tower-keeper, Carlo Lepore
(bass); Egoldo, leader of the peasants,
Gregory Bonfatti (ten); Rodrigo, captain
of the guards, Lubomir Moravec Prague Chamber
Choir
Orchestra Sinfónica de Galicia/Riccardo
Frizza rec. live, Rossini Opera Festival,
Pesaro, Italy, August 2004
DECCA 475 7688 [3 CDs: 68.23+52.56+67.36]
[RF]
In
outstanding fashion this fills an important
gap in the composer’s discography. A work
of Rossini’s compositional maturity, I cannot
see it being bettered. ... see Full
Review
RECORDING
OF THE MONTH Antonio VIVALDI (1678-1741) Musica
Sacra vol. 5 Mottetto RV626 “In furore
iustissimae irae” [12:55] (1) Sinfonia in B minor RV169 “Al
Santo Sepolcro” [05:03] (2) Laudate pueri RV601 [23:10] (3)
Concerto in D minor for violin, organ and strings RV541 [09:07]
(4)
Concerto in F for violin, strings and harpsichord “per la Solennità di San Lorenzo
RV286” [12:27] Sandrine Piau (soprano
(1, 3), Stefano Montanari (violin)(4), Marcello Gatti (flute) (3), Ottavio Dantone
(Organ) (4), Accademia Bizantina/Ottavio Dantone rec. July 2005, Abbaye de Saint-Michel
en Thiérache NAÏVE OP 30416 [62:56]
[CH]
It’s
beginning to dawn on me that we’re living
in a golden age of Vivaldi interpretation.
... see Full
Review
RECORDING
OF THE MONTH
L’invitation
au voyage –Mélodies from
La belle époque Jules CRESSONNOIS
(1823–1883) L’invitation
au voyage (Charles Baudelaire) [3:29]
Léo DELIBES
(1836–1891) Départ
(Èmile Augier) [4:23] Bonjour,
Suzon! (Alfred de Musset) [2:59] Regrets!
(Armand Silvestre) [4:58] Charles
LECOCQ (1832–1918) La cigale
et la fourmi (Jean de La Fontaine) [1:45]
La chauve-souris et les deux belettes
(Jean de La Fontaine) [3:16] Émile
PESSARD (1843–1917) Le spectre
de la rose (Théophile Gautier)
[4:42] Oh! quand je dors (Victor
Hugo) [2:34] Benjamin
GODARD (1849–1895) Chanson
du berger (Jean-Pierre Claris de Florian)
[1:56] Guitare (Victor Hugo) [2:35]
L’invitation au voyage (Charles Baudelaire)
[4:13] Viens! (Victor Hugo) [2:49]
Paul PUGET (1848–1917)
Madrid (Alfred de Musset) [3:27]
Comment, disaient-ils (Victor Hugo)
[2:27] Paul
(1852–1933) and Lucien
(1860–1909) HILLEMACHER
Soupir (Sully Prudhomme) [3:31]
Si mes vers avaient des ailes (Victor
Hugo) [1:34] L’invitation au voyage (Charles
Baudelaire) [1:52] Ici-bas (Sully
Prudhomme) [1:59] Sérénade
(Alfred de Musset) [2:09] Émile
PALADILHE (1844–1926) Psyché
(Pierre Corneille) [2:44] Les papillons
(Théophile Gautier) [2:59] La
chanson des blondes (Jean Aicard) [3:27]
Danse indienne (Jean Lahor) [6:06]
Henri DUPARC (1848–1933)
L’invitation au voyage ((Charles
Baudelaire) [4:26]
John Mark Ainsley (tenor), Graham Johnson
(piano) rec. All Saints Church, East Finchley,
London, 2-4 August 2004. DDD
HYPERION CDA67523 [78:14] [DC]
There
isn’t a dull moment in this long recital.
Good songs need not be masterpieces to be
enjoyed, especially when performed this
well ... see Full
Review
RECORDING
OF THE MONTH Thomas
Quasthoff: The Voice Franz
SCHUBERT (1797-1828) An die Musik D457 [4:03]; Erlkönig
D328 [2:32]; Ständchen, [3:36]; Greisengesang D957 [4:49] (previously
unissued) Thomas
Quasthoff, (baritone)
Chamber Orchestra of Europe/Claudio Abbado Albert
LORTZING (1801-1851) From Der Wildschütz: Funftausend
Taler [5:20] Thomas Quasthoff (baritone) Orchester der Deutschen Oper Berlin/Christian
Thielemann Carl Maria von WEBER (1786-1826)
From Euryanthe: Wo berg ich mich? [9:17] Thomas Quasthoff (baritone) Orchester
der Deutschen Oper Berlin/Christian Thielemann Richard
WAGNER (1813-1883) From Tannhäuser: Wie Todesahnung Dämmerung deckt
die Lande - O du, mein holde Abendstern [5:39] Thomas Quasthoff (baritone) Orchester
der Deutschen Oper Berlin/Christian Thielemann Richard
STRAUSS (1864-1949) From Der Schweigesame Frau: Wie schön ist die
Musik [4:01] Thomas Quasthoff (baritone) Orchester der Deutschen Oper Berlin/Christian
Thielemann Gustav MAHLER (1860-1911) From
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt, [4:03]; Lob des hohen
Verstandes [2:32];
Thomas Quasthoff (baritone) Justus Zeyen (piano) Johann
Sebastian BACH (1685-1750) Ich habe genug BVW 82 Thomas Quasthoff
(baritone) Albrecht Mayer, (oboe) Berliner Barock Soloisten/Rainer Kussmaul (violin
and direction) Franz SCHUBERT (1797-1828) Auf
der Bruck, D843 [3:21]; Heidenröslein, D257 [1:56]; Die Forelle D550 [2:11];
Tränenregen, D795 [2:11]; Mein! D795 [4:17]; Der Fischermädchen D957 [2:02];
Die Taubenpost, D957 [3:40]
Thomas Quasthoff (baritone) Justus Zeyen (piano) Robert
SCHUMANN (1810-1856) Du Bist wie eine Blüme op. 34 [1:34]; Thomas
Quasthoff (baritone) Justus Zeyen (piano) Felix
MENDELSSOHN (1809-1847)
Auf Flügeln des Gesanges [2:28]; 25 [1:34]; Thomas Quasthoff (baritone) Justus
Zeyen (piano) Johannes BRAHMS (1833-1897) Verzagen
op. 72 [2:30]; Unüberwindlich [2:13]; Sapphische Ode op. 94 [2:30]; Thomas Quasthoff
(baritone) Justus Zeyen (piano) Franz LISZT (1811-1886)
Die Loreley S273 [6.51]; O Lieb, so lang du lieben kannst S298 [5:33]; Es muss
ein Wunderbaressein S314 [2:07]
Thomas Quasthoff (baritone) Justus Zeyen (piano) Carl
LOEWE (1796-1869) Herr Oluf op. 2 [6.06]; Thomas Quasthoff (baritone)
Justus Zeyen (piano) Richard STRAUSS (1864-1894) Heimliche
Aufforderung [3:14]; Zueignung op. 10 [1:44]; Morgen! Op. 27 [3:57] Thomas Quasthoff
(baritone) Justus Zeyen (piano)
Solo jazz Improvisation (6:04) DEUTSCHE
GRAMMOPHON 477 6159 [67:22 + 67:11] [AOz]
A
perfect set for anyone new to Quasthoff, or who wants an introduction
to German art song ... see Full
Review
BARGAINS
OF THE MONTH
BARGAIN
OF THE MONTH Antonín
DVOŘÁK (1841-1904) Symphony
No. 9 From the New World (1893) [42.48]* The Water
Goblin (1896) [21:08] Royal
Concertgebouw Orchestra/Nikolaus Harnoncourt
rec. Het Concertgebouw, Amsterdam, October 1999, (* live recording). DDD WARNER
CLASSICS 3984 25254-2 [64:13] [TP]
Harnoncourt
has something to tell even the most seasoned collector about
this music, and in a warhorse like this, that is no mean feat!
... see Full Review
BARGAIN
OF THE MONTH Gerald FINZI
(1901-1956) Intimations of Immortality
op. 29 (1949-50) [38:58] For Saint Cecilia op. 30 (1947) [16:37]
James Gilchrist (tenor)
Bournemouth Symphony Chorus/Greg Beardsell Bournemouth Symphony Orchestra/David
Hill rec. The Concert Hall, The Lighthouse, Poole, 4-5 June 2005.
DDD NAXOS 8.557863
[55:35][AOz]
Easily
the best recording by any standard – I hope
Naxos realize what a treasure this is ...
see Full
Review
BARGAIN
OF THE MONTH Wolfgang
Amadeus MOZART (1756-1791)
Symphony
No. 40 in G minor K550 (1788) [26:29] Symphony
No. 41 in C major Jupiter K551 (1788)
[37:01]
Manchester Camerata/Douglas Boyd rec. live,
4 February 2006, The Bridgewater Hall, Manchester
AVIE AV 2107 [63:50] [DC]
Looking
for a top notch performance of two of the
greatest classical symphonies ever written?
Your money will be very well spent with
this issue. ... see Full
Review
BARGAIN
OF THE MONTH Modest
MUSSORGSKY (1839–1881) Boris
Godunov (arr. & orch. Nikolai Rimsky-Korsakov)
(1874) Prologue, Scene 2 (The Square in the Moscow Kremlin):
Long Live the Tsar Boris; Even as glory to the radiant sun;
My soul is torn with anguish; Glory, Act II: I have attained
the highest power; What do you want?; Mighty Lord …; It is
not death that is hard to bear; God, how stifling it’s become!
Act IV, Scene 2: Boris Farewell to his Son and Death of Boris George
London (bass) – Boris Godunov; Mildred Allen (mezzo-soprano) – Fyodor,
his son; Howard Fried (tenor) – Prince Vasily Ivanovich Shuisky;
Stanley Kolk (tenor) – Boyal Khrushchyov Columbia Symphony
Chorus and Orchestra/Thomas Schippers rec. Manhattan Center,
New York City, 23–27 March 1961. ADD Pictures
at an Exhibition (1874) (orch. Maurice Ravel) Philadelphia Orchestra/
Eugene Ormandy rec. Town Hall, Philadelphia, Pennsylvania, 21 April, 18 June
1966. ADD SONY CLASSICAL 82876
78747 2 [69:58] [GF]
At
mid-price this is a find: a truly great
version of Pictures and one of the great
Borises at the height of his powers. Not
to be missed. ... see Full
Review
BARGAIN
NOF THE MONTH Gioachino
ROSSINI (1792-1868)
Torvaldo
e Dorliska. Torvaldo, Huw Rhys-Evans
(ten); Dorliska, Torvaldo’s wife, Paola
Cigna (sop); ARS Brunensis Chamber Choir
Czech Chamber Soloists Brno/Alessandro de
Marchi rec. 2003
NAXOS OPERA CLASSICS 8.660189-90 [73.20
+ 67.47] [RF]
A
fine performance of the opera which preceded
Rossini’s greatest work by less than two
months and with the same librettist. It
fills an important gap in the Rossini discography.
... see Full
Review
BARGAIN
OF THE MONTH Pyotr
Ilyich TCHAIKOVSKY (1840-1893) Symphony
No. 5 in E minor Op. 64 (1888) [45:40] Capriccio
Italien Op.
45 (1880) [14:55] Cleveland
Orchestra/Georg Szell
rec. 23 October 1959 (Symphony), 28 February–1 March (Capriccio), Severance Hall,
Cleveland, Ohio. ADD SONY CLASSICAL
82876 787442 [60:35]
[TB]
This
famous recording of Tchaikovsky’s Fifth sounds better than ever
in its latest transfer from Sony Classical. ... see Full
Review
BARGAIN
OF THE MONTH The
Art of the Lindsays CD
1 Wolfgang Amadeus MOZART (1756-1791) String
Quartet in C major, K465 Dissonance (1785) [38.15] Franz
SCHUBERT (1797-1828) String Quartet No.13 in A minor, Rosamunde D804
(1824) [34.05]
CD 2 Maurice RAVEL (1875-1937) String Quartet
in F major (1902-1903) [28.42] Franz Joseph HAYDN (1732-1809) String
Quartet in E flat, Op.64 No.6 (1790) [18.37] Felix
MENDELSSOHN (1809-47) String Quartet No.6 in F minor, Op.80 (1847)
[24.49]
CD 3 Antonín DVOŘÁK (1841-1904) String
Quartet No.12 in F major, Op.96 (B.179) American (1893) [27.18] Ludwig
Van BEETHOVEN (1770-1827) String Quartet in F minor, Op.95, Serioso (1810)
[20.80] Alexander BORODIN (1833-1887) String
Quartet No.2 in D major (1885) [28.37]
CD 4 Leoš JANÁČEK (1854-1928) String
Quartet No.1 The Kreutzer Sonata (1923) [17.15] Sir
Michael TIPPETT (1905-1998) String Quartet No.5 (1990-1991) [27.57] Béla
BARTÓK (1881-1945) String Quartet No.6, Sz.114 (1938) [30.41]
CD 5 Franz SCHUBERT (1797-1828) Piano Quintet
in A major, D667, The Trout (1819) [37.53] Johannes
BRAHMS (1833-1897) Clarinet Quintet in B minor, Op.115 (1891) [39.57] The
Lindsays: (Peter Cropper, violin; Ronald Birks, violin (all tracks except Schubert
Quintet); Robin Ireland,
viola (all tracks except Bartók); Bernard Gregor-Smith, cello) Roger Bigley,
viola (on Bartók only) Kathryn Stott, piano (Schubert Quintet only); Leon Bosch,
double-bass (Schubert Quintet only); Janet Hilton, clarinet (Brahms Quintet only)
see review for recording details SANCTUARY
CLASSICS
RESONANCE
CDRSB404 [5 CDs: 72:22 + 72:18 + 76:33 + 76:11 + 77:53] [DRD]
I
really can’t recommend this highly enough. It was a source of
joy on our recent holiday and will make excellent Christmas presents.
A really great advertisement for chamber music. ... see Full
Review