This reissue 
                      on the Naxos super-bargain label of this classic operetta 
                      recording is most welcome.
                    Franz Lehár 
                      was generally considered the most significant operetta composer 
                      of the first half of the 20th century. His early 
                      work, Die lustige Witwe (The Merry Widow) 
                      (1905) was a huge international success and tended to overshadow 
                      all the many Lehár operettas that succeeded it. Das 
                      Land des Lächelns (The Land of Smiles) 
                      was one of his last operettas and a more mature work with 
                      a not-so-happy ending. It pointed the way to his late masterpiece, 
                      Giuditta (1934) that was almost operatic in its treatment. 
                    
                    The central 
                      role of Prince Sou-Chong, sung on this recording, by the 
                      wonderful Nicolai Gedda, was originally sung by that great 
                      Lehár tenor Richard Tauber. Quoting from Richard Traubner’s 
                      acclaimed book, Operetta: “…The part of Sou-Chong 
                      fitted Tauber to a T, especially after a debilitating bout 
                      with a severe form of arthritis had partially disfigured 
                      his face and left him with a slight limp – the Chinese makeup 
                      and long robes hid all this…[the celebrated] ’Dein ist mein 
                      ganzes Herz (‘Yours Is My Heart Alone’) was sung by Tauber 
                      in every possible way during the encores – in German, in 
                      French, in English, sotto voce, and so forth. The 
                      song took him and the operetta around the world.”
                    This classic 
                      1953 LP recording was the first complete set of the operetta 
                      and was originally released as Columbia 33CX 1114 and 1115. 
                      The cast was headed by Elisabeth Schwarzkopf, wife of the 
                      recording producer and impresario, Walter Legge. Schwarzkopf 
                      plays Lisa, daughter of Count Gustav von Pottenstein who 
                      falls in love with Prince Sou-Chong and follows him when 
                      he is recalled to his homeland from the Chinese Embassy 
                      in Vienna. She sparkles in her solo numbers such as the 
                      delightful Act 1 waltz song ‘Flirten, bisschen flirten’ 
                      and in her friendship duet, ‘Es ist nicht das erste Mal’ 
                      with her admirer Count Gustl (the charming Erich Kunz). 
                      But it is her duets with Nicolai Gedda that persist in the 
                      memory, duets like the charming ‘Bei einem Tee’ and (Act 
                      I) , the bitter but poignant ‘Ich bin dein Herr’ (Act II) 
                      and the heart-break of the concluding Act III duets as the 
                      lovers are forced to part. Gedda, is of course, wonderful, 
                      his voice caressing the lyrics, his timbre and vocal line 
                      so exquisite, so expressive. Listen to his heartfelt singing, 
                      so love-stricken in ‘Immer nur lächeln und immer vergnügt’, 
                      and dreamy and gentle as he explains Chinese courtship in 
                      ‘Von Apfelblüten einen Kranz ; ah’ (Act I); and, of course, 
                      so ardently romantic in the Act II show-stopper ‘Dein ist 
                      mein ganzes Herz!’
                    Additionally 
                      there is the pleasure of the youthful sounding lyric soprano, 
                      Emmy Loose as Sou-Chong’s sister Mi, so fresh and delightful 
                      in her rendition of her Act II ‘Im Salon zur blau’n Pagode’ 
                      and her persuasive love duet with her Count Gustl, ‘Meine 
                      Liebe, deine liebe.’ 
                    Legge’s first 
                      choice to conduct the Philharmonia Orchestra in this recording 
                      was Karajan but he declined so Legge turned to Otto Ackermann 
                      who proved to be an ideal Lehár interpreter fully realising 
                      the composer’s subtleties of harmony and orchestration and 
                      contrasts between the Viennese setting of Act I and the 
                      oriental location of Acts II and III. Just listen, for instance, 
                      to the depth of feeling he draws from the orchestra in the 
                      sadness of the closing pages of the operetta.
                    CD2 is completed 
                      by excerpts from Lehár operetta recordings from the late 
                      1920s, 1930s and early 1940s, performed by legendary singers. 
                      These include the distinguished artist and fine lieder singer, 
                      Lotte Lehmann, singing ‘Wär es auch nichts als ein Augenblick’ 
                      from Eva and Richard Tauber’s rendition of ‘Hab’ 
                      ein blaues Himmelbett’ from Frasquita. There are 
                      also substantial excerpts from Lehár’s Paganini and 
                      from an earlier recording of Das Land 
                      des Lächelns both of which starred Elisabeth Schwarkopf, 
                      but with tenor Rupert Glawitsch. There are also excerpts 
                      from Der Zarewitsch, Die Lustige Witwe, Schön ist die 
                      Welt, and Giuditta. 
                    A classic recording 
                      of a favourite Lehár operetta with superb performances. 
                      At Naxos’s super budget price don’t hesitate. 
                    Ian Lace