Levi is too easily 
                forgotten amongst the welter of complete 
                Sibelius recordings. Who pays attention 
                to his versions when there is Maazel 
                (twice), Ashkenazy, Berglund (three 
                times mark you), Gibson, Colin Davis 
                (twice - just coming up to third time 
                around), Oramo (outstanding), Rattle, 
                Segerstam and so many others? 
              
 
              
In fact Levi’s Sibelius 
                is well worth your attention. Anyone 
                who knows his Atlanta Symphony Orchestra 
                disc coupling Sibelius 1 and 5 (Telarc 
                CD80246 - also reviewed 
                here) will not be surprised to hear 
                that the present disc presents a very 
                considerable reading of the Second Symphony. 
                This Second combines the opposite poles 
                of incendiary emotion (Beecham) and 
                ramrod-tight control (Karajan). Levi 
                delivers a reading that is pin-sharp 
                and deeply chiselled. I suppose some 
                may find this just too affected; too 
                self-consciously shaped. It is in fact 
                an inspirational performance and anyone 
                who picks this CD up on spec will feel 
                rewarded. After all, the tawnily magnificent 
                tone produced by those Cleveland hornists 
                is no common commodity. This is not 
                a mundane Sibelius 2. It stands in all 
                its individuality beside the great Seconds 
                including Ormandy’s Sony version and 
                Barbirolli’s ‘ice and fire’ with the 
                RPO on Chesky. 
              
 
              
Even the tired and 
                over-played glories of Finlandia 
                take on an added glamour with Levi 
                and the Clevelanders although I would 
                not prefer this to the imposingly black-toned 
                Horst Stein version with, of all orchestras, 
                the Suisse Romande. Marc Mandel provides 
                a useful scene-setting note. 
              
 
              
Strangely this disc 
                has had precious little critical commentary 
                perhaps it is the short-playing time; 
                the only real demerit now that this 
                splendid-sounding disc has dropped to 
                mid-price. 
              
Rob Barnett