Serious opera lovers
may not approve of this endeavour –
the latest offering from the Naxos "Opera
Explained" series. David Timson
narrates an elementary, nevertheless
entertaining, script – punctuated with
musical snippets – that takes us from
a general account of Mozart's life to
a closer inspection of the three Da
Ponte operas of which Don Giovanni is
the crowning achievement.
Of course it is of
interest to us all to learn about the
genesis of Mozart’s operatic masterpiece,
and for those of us who prefer to be
spoon-fed the biographical details,
this CD will be much appreciated. There
is nothing revelatory in Smillie’s easily-digested
script, but thanks to a very agreeable
narrational intonation, we are spared
a potentially patronising performance.
It is a pity, therefore,
that the music is not spared this insult.
As far as this CD is concerned, music
is a means to a narrational ends, and
the price we pay is a handful of butchered
illustrative musical excerpts. If only
Thomson Smillie had paid closer attention
to his observation in the CD notes that
"it is – as ultimately it has to
be – the music that defines the experience".
A further injury to
the musical aspect are the quotations
from the Marriage of Figaro. An ugly,
warbling Countess Almaviva is, to our
great misfortune, neither camouflaged
nor supported by the accompanying orchestra’s
heavy-handed execution. My heartfelt
commiseration that she is reflecting
sadly on past happiness and lamenting
an unfaithful husband, but must we all
suffer her distress? This is, fortunately,
not an issue for the ensuing Don Giovanni
passages that boast extremely impressive
performances across the board.
Ultimately, this recording
satisfies what it sets out to do, and
that is to give a layman’s introduction
to Mozart’s Don Giovanni with a taste
of its musical gems. In doing so, however,
the music is necessarily compromised
and the story trivialised. Thankfully,
however, the performances for the Don
Giovanni extracts are good enough to
perhaps encourage the listener to purchase
the opera proper.
It is not a crime to
be introduced to the opera through the
"Opera Explained" series,
but if you choose this route, do so
in the full awareness that you are only
scraping the surface.
Aline Nassif
see also review
by Robert Farr