Following the best performance of the overture
I’ve ever heard, this proved to be one of the most enjoyable video
opera performances I’ve ever seen. It is probably as close to
a ‘perfect’ opera performance, especially of a work of this complexity,
as we’ll ever see. Walter Berry and Reri Grist as Figaro
and Susanna, and Ingvar Wixell as Count Almaviva
are truly exceptional in both singing and acting. These parts
have been done as well by others, but never any better, and it
was clear from the curtain calls that the audience agreed with
my assessment. Clare Watson seemed somewhat distracted upon her
entrance as the Countess, and her Porgi Amor was
a little weak, but she recovered quickly as the scene proceeded
and by the time of her angry exchanges with the Count her concentration
was fully restored. Her Dove Sono was utterly stupendous;
the audience would not let her leave and kept calling her back
for bows. I’ve never enjoyed the last scene as much as here —
the staging and camera work were such that you could see everything
that was going on and always knew who everyone was at all times.
Video direction throughout was excellent — logical and free from
gimmicks; the viewpoint moved from full stage to medium close-ups
at entirely appropriate times.
I have admired Margarethe Bence in oratorio recordings
for years and it was a pleasure to see her acting; she was a superb
Marcellina, and the other character roles were played with
equally great humour and insight. I could never quite believe
Edith Mathis was a boy, however.
My Mozart snob friends always tell me Karl Böhm
is too slow, but I wouldn’t want anything any faster in this perfectly
paced performance. The notes say this is a "film" (I
guess that means a kinescope recording, not a videotape) from
the Austrian television archives, but the digital restoration
is excellent. The picture is always very clear and free from blemishes;
and the sound, while not spectacular, is rich, transparent, and
detailed and always in balance.
Of course, first you’ll want a colour/stereo
Figaro in your DVD opera collection, but for a second recording
you’ll not find a better performance than this one; and it’s a
must-have for schools and libraries.
Paul Shoemaker