A capable recording of the Via Crucis is always
good news. The all-time great recording was also one of the first, with
the BBC Northern Singers conducted by Gordon Thorne, Francis Jackson,
organ, on a 1961 SAGA LP XID 5079, many years out of print. That recording
was literally terrifying in the intensity of the drama. This new recording
benefits greatly from the digital sound, is more reverent and less ferocious,
but still an intensely heartfelt document. The piano accompaniment is
vivid, solid, and passionately played, every bit as effective as the
more usual organ. The solo voices show emotional commitment but sing
clearly and with musicianship. The ear accepts the little bit of strain
in the baritone’s high notes and the bit of wobble in the mezzo as entirely
in keeping with the passion of their declamation. The recording venue
acoustic is sufficient to convey a religious atmosphere and surround
the performers with a soft halo but leave every musical detail clear
and unblurred. This is a very welcome addition to the Liszt discography.
When Liszt published his great oratorio Christus
(S. 3) in 1872 he incorporated Die Seligkeiten into it as section
6, the first number in Part II; but here, heard by itself, it is quite
effective. Here John Reschl sings the baritone solos with great reverence
and commitment. The brief Ave Verum Corpus was excerpted from
his Missa Solennis (S. 9) in 1871 for separate performance. Le
Crucifix (S. 342/3) is a solo song, presented here with great passion
by mezzo Stump, one of many Liszt settings of poems by Victor Hugo.
It is not included in the general roster of the songs probably because
the autograph cannot be found, and the three known versions differ slightly.
Paul Shoemaker
Church of the Holy Ghost
Choir/Richard Robertson