This CD consists of sixteen a capella arrangements
of Christmas melodies from all over Europe sung by the four female vocalists
and five works for organ using Christmas tunes either as basis for variations
or in the form of a more free fantasia. Everything has been skilfully
if somewhat unexcitingly arranged by Sonya Weise.
The booklet notes in German only. They give six biographies,
on the four female singers, Heidron Kissinger, Bettina Renaud and Maria
Bucher sopranos and Irene Burger alto and on the organist Daniel Kaiser
and on Sonya Weiss. There are no notes on the music and no translations
of the texts. However on the back of the insert is given the traditional
format of specification for the organ at the new Lutheran church in
Karlsruhe. One interesting feature of this three manual instrument,
rebuilt in 1993, is the presence of an eight foot English horn stop
on the choir. It’s a pity that it fails to feature noticeably in any
of the organ music. It is a very fine instrument however. With its interesting
coupling possibilities the organ allows a considerable amount of colour
and indeed power which is exploited by Daniel Kaiser.
As for the music, well it can be said fairly quickly.
The arrangements are rather twee but no doubt suitable for the season.
The singers are adequate, perfectly pleasant but unexciting. They lack
variety of dynamics and vocal colours. The carol melodies are not particularly
well known to British audiences but it is rather amusing to hear Harold
Darke’s famous ‘In the bleak Midwinter’ arranged for female voices unaccompanied
with much altered harmonies. Another surprise was to hear a carol found
in the English ‘Carols for Choirs Book 1’. There it is known as ‘Up,
Good Christian Folk and Listen’. Here it appears as ‘Weihnachtsglocken’
which I believe means Christmas-night bells.
The organ pieces written by Sonya Weise have little
appeal for this listener at least. Their style is best described as
poor Rheinberger. The best I can say is that if they played away whilst
enjoying a Christmas meal or drink then they might be considered acceptable.
Listening carefully is not particularly worth the effort. One exception
is ‘O Little town of Bethlehem’. It is interesting how, a tune first
noted by Vaughan Williams, and so very English, has become an international
carol as Sonya Weise’s rather dark Prelude shows. I was surprised to
find, on the last track, that the Welsh tune, ‘All through the night’,
on which Weise has written an unprepossessing Fantasia is considered
to be a Christmas Carol.
The recordings made on separate occasions are good
and clear.
Gary Higginson
The Vocal Trio