> Fire and Ice : Chang CDC5572202 [CF]: Classical Reviews- January 2002 MusicWeb(UK)

MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


SARAH CHANG: Fire And Ice
Popular works for violin and orchestra

Sarasate Carmen Fantasy
Massenet Méditation
Ravel Tzigane
Dvorak Romance in F minor
Beethoven Romance in F major
Bach Air from Suite No.3
Sarasate Zigeunerweisen
Berlin Philharmonic Orchestra
Placido Domingo (conductor)
Recorded at the Philharmonie, Berlin, June 2001
EMI CLASSICS CDC5572202 [60.04]


BUY NOW 

Crotchet   AmazonUK   AmazonUS

Having just reviewed a similar CD of French works for violin played by Renaud Capuçon for Virgin Classics, and another a day or two earlier of highlights from Carmen with Grace Bumbry, this seemed like a case of déja entendu, but then neither Capuçon nor Bumbry sound like Sarah Chang. The start of the Carmen Fantasy is frankly very unattractive violin playing with vibrato so distorted I was tempted to see whether the machine was faulty. Waxman’s fantasy is a better work than Sarasate’s whose better Zigeunerweisen, to end this CD, shows the violinist/composer in a far better light. Saccharine tone is the order of the day in Chang’s interpretation of Massenet’s operatic interlude, but matters improve with a fiery interpretation of Ravel’s Tzigane (though I prefer the combination of Renaud Capuçon and Daniel Harding). Dvorak’s Romance reduces the emotional stakes with an elegant account, Beethoven’s even more so in a stylishly phrased performance. Then it’s back to the charts again with an arrangement of Bach’s Air (yes on a G string to dumb it down to subterranean level) before coming full circle with Sarasate once again. At least this pyrotechnical froth was meant to be played as Chang does, technical bravura to the fore. The Berlin Philharmonic are there, more out of duty one suspects, and with not much to do. When the level of accompaniment gets tricky they guide Domingo through it. Why does he not just do what he does best, and sing? Fire and Ice? I’m afraid it’s more a mixture of Hot Air and Slush.

Christopher Fifield

 


Return to Index

Error processing SSI file