This is a very affectionate film that flatters as well
as informs. In all cases it is Madame who is speaking. Any talking-heads
opinions by others are given in her presence. The production values
are excellent. With film clips from such a wide variety of sources,
some very old, including video, the producers have done a superb job
of matching everything up, sound as well as visual. Although nothing
actually appears digitally restored, the quality of the old films is
uniformly clear and garbage free; only a couple of scenes have a scratch
or two. Obviously in so short a film complete musical selections are
not possible, but there has been an attempt made to break in and out
at the phrase. There are only two brief voice-overs (my pet peeve) and
even I didn’t object to them.
The early years in Germany are in black and white,
but as soon as she arrives in England most everything is in colour from
then on. Those who would hope for a searching, even challenging, discussion
of her early contact with Nazis will be disappointed. She affirms that
her parents kept her completely isolated from "politics" and
sent her from the room when they were discussed. ("People won’t
believe we could live such protected lives.") And she asserts sensibly
enough that when one has the voice one must sing; one cannot wait ten
years. And sing she does! We see her in brief excerpts from many opera
roles and films, some recording sessions, rehearsals, concerts, an American
TV broadcast ("There were people protesting that a German was singing,
but we made our point for art, for German art!") and some master
class sessions ("You should have grown up speaking the German language.").
She and hubby Walter Legge almost get into a quarrel as they relate
slightly differing accounts of how and when they met. We see quick cameos
of famous people arriving and departing, and lengthy comments from pianist
Gerald Moore ("Gerald was marvellous, but he learned it all from
Walter [Legge]!)
Madame speaks mostly English but I found it helpful
to have the subtitles on when she or someone else slips into French
or German.
The liner note essay is printed in blurry thin light
blue type against dark blue and is all but unreadable—terribly chic
and all that, but how about some consideration for older eyes?
I won’t label this a "warning" as I’m sick
of those, but this disk will not play on some DVD players which demand
a region code. At our house the score was about half and half. But it
played beautifully on my Apex player right through my NTSC television.
Paul Shoemaker