A very satisfying, nicely contrasted programme of solo
and choral sacred vocal music, which shows Vivaldi in an unfamiliar
light, and is remarkable for the dominance of low female voices. Beatus
vir displays strong contrasts between the styles of its many short
sections. Hilary Summers sings Peccator videbit, one of the lowest
alto arias ever written; Vivaldi had girls at the Pieta trained to sing
unusually low. The French alto Nathalie Stutzmann is impressive in Nisi
Dominus and I admired her sparing use of vibrato. Susan Gritton
is glorious in the solo soprano motet Salve Regina and of the
choral works I enjoyed particularly the breathless race of the exodus
from Egypt, In exitu Israel, two pages of verse traversed in
three and a half minutes. Robert King keeps the proceedings buoyant.
The entire sleeve notes, which are interesting and
illuminating, are easily accessed at http://www2.hyperion-records.co.uk/notes/66809.html,
so there is no need to duplicate the information here. Hearing this
album, No 6 of the series, suggests that Robert King has a winner here.
This is to be considered alongside his acclaimed sets of Purcell's Complete
Anthems and Services (11 volumes; I have No. 7, CDA66677) and the bargain
boxed set of his Complete Odes and Welcome Songs (CDS 44031/8)
review - that is amongst
the most treasured in my collection, one which is often taken off the
shelf.
Peter Grahame Woolf