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 Some extraordinary claims are made for this disc such 
          as ‘Tango for Four has mixed a potent tango cocktail that can easily 
          intoxicate someone used to milder fare, but once the initial dizziness 
          gives way, this new tango dimension becomes irresistible’. Well not 
          to this reviewer it doesn’t! I find it all thoroughly resistible and 
          unerringly, mind-numbingly dull after a couple of tracks. Familiar tangos 
          by Finnish and Argentinian composers? Familiar?? The group (you can 
          read the instruments they play at the top of this review, and, yes, 
          matchbox is not a typographical error for mandolin) ‘is 
          an ensemble dedicated to spontaneity and freedom in making music. Structure, 
          key and tempo are the only features agreed in advance…The result is 
          a sort of fusion tango, deftly combining classical, pop and jazz to 
          name but a few genres’. Now if that doesn’t make for sad reading, what 
          does? That the group can play their instruments well enough is not to 
          be disputed, but what a waste of a violinist who seems to have done 
          fairly well at various competitions and has a 1702 Matteo Goffriller 
          violin, and leads the Sinfonia Lahti. The rest of the group are also 
          wasting their talents. There are 12 tangos on this disc, all of them 
          pretty interchangeable, some extremely dull improvisations, and ghastly 
          harmonic shifts as opposed to modulations in the worst tradition of 
          pop music. If this is what is called cross-over music then the signalman 
          should not change the points, but rather let this train of tangos go 
          straight ahead into a tunnel. There was a debut album which is still 
          available, but let us hope that this the Last Tango in Helsinki. 
          
         
         Christopher Fifield 
         
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