VIRTUOSO CELLO TRANSCRIPTIONS. 
	Leonid Gorokhov - Virtuoso Cello
	Transcriptions
	Bohuslav
	MARTINU (1890-1959)
	Variations on a Theme of Rossini 
	dedicated to Gregor Piatigorsky 
	Pietro LOCATELLI
	(1693-1764) transcribed by Alfredo Piatti
	Sonata in D: Allegro; Adagio; Minuetto 
	Girolamo
	FRESCOBALDI (1583-1644) arranged by Gaspar
	Cassadó
	Toccata 
	David POPPER
	(1843 -1913)
	Dance of the Elves Op. 39 edited by Pierre Fournier 
	Autumn Flower Op. 50 No. 5 
	Happy Recollections (Wie einst in schöner'n Tagen) Op. 64 No.
	1 edited by Pierre Fournier 
	Carl Maria v.
	WEBER (1786-1826) Transcription by Gregor
	Piatigorsky
	Adagio and Rondo
	Alberto GINASTERA (1916-1983) Transcribed
	by Pierre Fournier
	Triste 
	Julius KLENGEL (1859-1933) 
	Scherzo in D Minor Op. 6 
	Alfred SCHNITTKE (1933-1999) Transcribed
	by Daniil Shafran
	Suite in the Old Style: Pastorale; Ballet; Menuett; Fugue; Pantomime
	
	
 Leonid Gorokhov - Cello/Bobby
	Chen - Piano
	
 CELLO CLASSICS CC1002
	[62.55]
	Crotchet
	 
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	The great Russian school of cellists, of which Gorokhov is a worthy
	representative, shares a distinctive approach to the instrument based on
	a full-blooded romanticism and immense technical brilliance. Risks are taken,
	but musicianship always triumphs.
	
	Despite the presence of composers such as Martinu and Ginastera both the
	music and the performances on this disc have a nineteenth century flavour.
	Gorokhov, a remarkably versatile player, wins his virtuoso laurels straight
	away with Martinu's lightweight, though horrendously difficult, Variations
	on a theme by Rossini. However, cellists will no doubt agree that, at
	this level, there's more to it than double stopping, glissandi, harmonics
	and playing very fast, as the beautifully realised transcriptions of
	Frescobaldi's Toccata (Cassadó) and Weber's Adagio and Rondo
	(Piatigorsky) amply confirm.
	
	Popper's Dance of the Elves - another technique-twister - and Ginastera's
	Triste contribute to a varied programme lacking only the spice of
	truly twentieth century sounds (which could easily have taken the place of
	Schnittke's dreary Suite in the Old Style).
	
	
	Roy Brewer
	
	
	 
	
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