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Robert SCHUMANN (1810-56).
Toccata in C, Op. 7. Etudes symphoniques, Op. 13 (including Five Posthumous Variations). Fantasie in C, Op. 17.
Earl Wild (piano).
Ivory Classics IC71001 [ADD/DDD] [72'45]
Crotchet
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Earl Wild has had a long career. For example there is a performance of the Gershwin Rhapsody in Blue with the NBC Symphony Orchestra under Toscanini dating from November 1942 on Dante Lys 618. The performance of the Toccata on this disc dates from 1974 and taken live from the Queen Elizabeth Hall. It was a mistake to put this at the beginning as it is enough to deter all but the most ardent Wild fan. The high recording level, the dry, metallic sound, the harsh accents and the meaningless opening gesture all conspire to provide a very uncomfortable seven minutes worth.

The rest of the disc was recorded in October, 1990. The Symphonic Studies fare better, but hardly stand up to such august competition as Pollini, for example, on DG 445 522-2 (nla), to name but one that springs to mind. The theme needs to be a smooth and laden with contained meaning, its possibilities straining to get out. Here it is merely plodding. Wild does find some mystery in the first posthumous variation, and he plays the fifth posthumous variation magically. In the eighth variation he effectively suggests Handelian pomp wrenched into the Romantic sphere. Overall, though, the impression is piecemeal, and the Finale exemplifies the problems with the whole. It is rushed and what can and should be a powerful cumulative effect degenerates into mere repetition. To make it worse, he even rushes his way through.

The Fantasie again causes problems for Wild. He simply does not possess the long term thought to make this a coherent interpretation, sounding rushed at times and at one point reverting to the martellato touch so painfully applied to the Toccata at the start of the disc. There is some sense of fantasy in the final ten minutes, but by then it is far too little, too late.

Reviewer

Colin Clarke

Performance
(Toccata)

(Rest)

Recording
(Toccata)

(Rest)



Reviewer

Colin Clarke

Performance
(Toccata)

(Rest)

Recording
(Toccata)

(Rest)


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