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RIMSKY KORSAKOV Piano Trio in C minor (1897); MUSSORGSKY Pictures at an Exhibition (arr for piano trio by the Bekova Sisters) Bekova  Sisters   Chandos CHAN 9672 [DDD] [77' 45"]

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This is a curious disc.

The idea of Pictures at an Exhibition scored for piano trio is laughable unless both the cello and the violin have equal parts with the piano which, in this arrangement, they do not. In the main, the string parts reinforce the piano part but when the keyboard is silent the string parts seem lost. There are some scratchy string tremolos and ugly quasi glissandi and often the strings have nothing to do but seem to come in haphazardly as if at a rehearsal. Some of the string effects are most off-putting and absurd. You will either love it or hate it and the final movement The Great Gate at Kiev will decide it for you if you need to wait that long.

Generally, Rimsky's Piano Trio is a warm, leisurely piece reminiscent of Brahms's late glowing style. It is a substantial piece lasting 45 minutes and, while it is not great music, it is often beautifully written. Apparently, Rimsky's son-in-law, Maximilian Steinberg completed this work shortly before the outbreak of the Second World War, some thirty years after Rimsky's death.

Rimsky is not remembered for his chamber music but there is a String Quartet of 1875, a String Sextet and a Quintet for piano and wind, both dating from 1876. By the time of this Piano Trio, he had produced six operas including a setting of Pushkin's poem Mozart and Salieri, three symphonies, a piano concert, the popular Spanish Caprice and the hackneyed Sheherazade. And so, the Piano Trio is a late work.

This was written four years after the death of Tchaikovsky whose Piano Trio in A minor, Op 50 was written 'in memory of a great artist'. (The Bekova Sisters have recorded this on Chandos CHAN9719). By the time Rimsky came to write his Trio, Borodin and Tchaikovsky were both dead and this may explain why this work is elegiac as seen, for example, in the slow fugal introduction to the finale. The reliance on such a device is the only disappointment in this work. The rest of the finale is controlled high spirits although fugal devices reappear. Eight minutes or so into this movement we have a glorious lyricism and a melodic line second to none. This music breaks down somewhat after this with a loss of momentum and another fugal device but, thankfully, the 'happy' music returns.

There is a great deal to enjoy in the Rimsky. The performances are good and the recorded sound most admirable.

Reviewer

David Wright

Performances

Recording


Reviewer

David Wright

Performances

Recording


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