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JENNIFER BATE plays British organ music STANFORD AND HIS CONTEMPORARIES Including PARRY, Toccata and Fugue Jennifer Bate (organ)  ASV QUICKSILVA CD QS 6222

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Like any long-serving Cathedral music director I have performed the music of Stanford and Parry on innumerable occasions with devotion and affection. All the same a CD of music by Stanford and his contemporaries could look like something of a grey area, peopled by non-too-eminent Victorians and Edwardians.

Fortunately the title is misleading, and the list of featured composers runs into the mid-20th century and beyond, including Bairstow, Cocker, Harris, and even a couple of Whitlock pieces (Divertimento and Carol, played with haunting Delian beauty at St. James', Muswell Hill). This is one of three instruments used: the others, St. Andrew's, Plymouth, and The Brangwyn Hall.

A lion takes pride of place on the cover - The British Lion courtesy of SB pictures. It seems appropriate. for this is a collection of British music played on the right sort of instruments in suitable colourful, romantic style. Listen for example to the two Bairstow tracks to see what I mean: the Prelude full-blooded with reeds and diapasons, and the Evening Song so warm and evocative. There are old favourites such as Norman Cocker's Tuba Tune in an inspirational performance, and three of Stanford's lesser known Op. 88 Preludes, beginning with the delightful one 'in form of a minuet' (delicious fluting sounds )

Stanford's exciting Fantasia and Toccata begins this 78 minute sequence of pieces with scarcely an unattractive number among them. (I haven't warmed to the Wood Prelude yet but may well do so). Harris's two short pieces, unknown to me turned out quite charming.

An all-round winner this CD, with some wonderful playing most realistically captured. Highly recommended.

Reviewer

Andrew Seivewright

and a review of the same disc by Rob Barnett:-

Jennifer Bate positively revels in the elaborate musculature of STANFORD's Fantasia and Toccata; the latter rivalling Reger. The 'Oirish 'Bhoyo's' Op. 88 numbers 1-3 agreeably round out the recital. However Stanford's music is by no means the most notable aspect of this anthology.

The WHITLOCK Carol and Divertimento overlap with the third (all-Whitlock) disc in this trio of ASV QUICKSILVAs. The Carol draws on a complex and light-handed palette while the Divertimento celebrates in mercurial sentimentality. HARVEY GRACE's Psalm Tune Postlude on Martyrs is a dignified stroll. Parry's famed Wanderer Toccata and Fugue reaches across time and borders to Franz Schmidt's organ works (nicely recorded on Hyperion). CHARLES WOOD's vivid imagination makes his Prelude on St Mary's one of the stand-out tracks on this disc. Its darkly magisterial tread verges on the Gothic. GORDON JACOB lights up the hill-top beacons and cathedral windows with his Festal Flourish - typically talented and brilliant in effect. W.H HARRIS is represented by his flighty A Fancy and the soulful Reverie. BAIRSTOW, the celebrant, is featured in the Prelude in C and his fertile imagination is represented by his delightful Evening Song.

Three different acoustics are encompassed by this disc: the Brangwyn Hall, Swansea, St Andrews Parish Church, Plymouth (Whitlock's Alma Mater) and St James's, Muswell Hill, London. The essence of British concert and ecclesiastical organ music caught in this and the Elgar disc. An attractively priced (bargain range) issue.

Reviewer

Rob Barnett

Reviewer

Andrew Seivewright

Rob Barnett


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