Classical Editor: Rob Barnett
 

Music Webmaster
Len Mullenger: Len@musicweb-international.com


VARIATIONS. Schumann Impromptus Op 5; Beethoven Variations; Schubert Variations (world première recording); Ghost Variations. Brahms Variation on a theme of Schumann Andreas Boyde (piano)   ATH CD23 [DDD] [67' 16"].

Save around 22% with
the retailers listed alongside


 

 

This is an important disc as it includes the world première recording of Robert Schumann's Variations on a theme of Schubert painstakingly reconstructed from manuscripts by the pianist on this recording, Andreas Boyde.

In his excellent booklet Boyde explains Schumann's admiration for the music of Scubert. It is known that in 1838 he visited Vienna and discovered the manuscript of Schubert's Great C major symphony which he sent to Mendlessohn suggesting, or implying, that Mendlessohn should conduct it. Other experts on the life and music of Schumann do not wholly support the notion that Schumannn adored the music of Schubert but rather, in his tragic mental state, was confused and, in some strange way 'wanted to change places with Schubert' convincing himself that Schubert was a great composer and that he was worthless.

It is this tragic mental illness that dogged Schumann all his life. Whether he was a manic-depressive as well as a tortured schizophrenic may be open to medical debate. Some of the criticism of his music is harsh. Piano works like Kreisleriana and Faschingsschwank aus Wein are among the piano classics and, despite the criticism of his orchestration, so also are works such as the Symphony No 2 (listen to the recording by Ricardo Muti), the flawless Piano Concerto (acquaint yourself with the recording by Peter Katin), the exhilarating Konzertstück for 4 horns and, when played well and the tender Cello Concerto of 1850. His three quartets and the Piano Quintet  in E flat are, in my view, splendid chamber works and I value his songs   and vocal duets (investigate the Julianne Banse and Brigitte  Fassbaender recordings) higher than those of Schubert.

The Waltz of Longing by Schubert which Schumann uses was, apparently, a popular tune and Schumann had used it in the opening of Carnaval Op9. It may not be a tune of great depth but that could also be said of the theme by Diabelli which Beethoven was to use.

I was brought up on the scholarship that Schumann had an infatuation with Anges Canus who, in turn, admired Schubert and to impress her he espoused a love for Schubert. Perhaps modern scholarship will refute this but, as a psychologist, I believe this to be so since inherent in many of Schumann's works are musical references to the many women he loved.

The Variations on a theme of Beethoven, completed in 1833, are a far better set ... perhaps because the theme, the allegretto from the magnificent Symphony No 7 in A, is vastly superior. There is some very fine music here although the final minutes may appear to be gloomy to some people. I do not have the score but the performance seems totally convincing.

The Ghost Variations (Variations on an original theme) are also rewarding. They were written at the end of Schumann's tragic life when he was hearing the voices both of angels and demons. Strangely the music ha a sublime religious feel, an uncanny peace and resignation in this beautifully crafted work. Clara Schumann did not want this work published. Brahms, a loyal and honourable friend of Schumann, respected her wishes but composed his own Variations on a theme of Robert Schumann Op23 for four hands. Here Andreas Boyd plays the transcription for solo piano by Kircher. Brahms' work, arguably the best on the disc, is a labour of love and a tribute to Schumann and to Clara whom he also adored. Brahms said that Schumann's Ghost Variations was his friendly farewell.

I found the Impromptus Op 5 to be somewhat slight. They may show Robert's love for his beloved Clara and bear many of his hallmarks.

Boyde is a superb player. We have heard his virtuosic power in the Tchaikovsky Piano Concerto No 2 (ATH CD 16) and his performance of Ravel's fiercely-difficult Miroirs (ATH CD 17) is simply stunning. Here in this disc there is tremendous insight into this music and the Brahms performance gives a  very rare satisfaction.

Reviewer

David Wright

Performances

Recording


Visit
Athene



see compilation of reviews here

Reviewer

David Wright

Performances

Recording


Reviews from previous months


Reviews carry sales links but you can also purchase from:

Return to Index