Alemdar Karamanov (born in Simferopol) is a Crimean composer (he wrote the
Crimean national anthem) whose prolific symphonism has produced more than
24 symphonies. Information about him is rather short on the ground but Ates
Orga's notes to this release are especially helpful. I rather wish we heard
more from Mr Orga.
Karamanov was a friend of Schnittke who studied with both Khrennikov and
Kabalevsky. His first works were perhaps trendily avant-garde. His Third
Piano Concerto Ave Maria was heard in London in 1997. Karamanov's
meditative quasi-religious music is as attractive (and instantly so) as Giya
Kancheli's symphonies or Valentin Silvestrov's Fifth Symphony. This family
of composers can be counted in the same company as Gorecki's Symphony
of Sorrowful Songs and Arvo Pärt's Cantus. There is no reason
why this music, in its long and frankly melodic lines, should not enjoy the
same success.
The Third Symphony is an early example beside the Decca and Olympia issues
however despite the above notes it is not a forbidding work having more in
common with Khachaturyan and Prokofiev (Romeo and Juliet) than with
the thorny splendours of Shchedrin and Denisov. The first movement is full
of beautiful touches including a deliriously insistent trumpet solo over
trembling strings. Its dervish of a storm quickly dissipates resolving into
an uncertain serenade of Miaskovskian mien. The moderato (II) features a
chaos of birdsong and music that could easily be placed close to Prokofiev's
Scythian Suite. The ensuing Andantino's sadly chiming vibraphone speaks
of an accessible humanity and does so without sourness or the taste of cordite.
The finale is an allegro of Tippett-like élan - rather cold emotionally.
The piano concerto is somewhat Rachmaninovian (but with less incident), with
touches of Scriabin (the tune-smith as in the piano concerto rather than
the later 'godlike delusion' works) and the main Andantino theme uses
a melody of some nagging persistence which sounds like Vaughan Williams.
It is here especially that I thought of Silvestrov and Gorecki. Altogether
a rather striking work which achieves reverence without religiosity.
Although I recall the other two Karamanov discs listed below as having been
reviewed in Gramophone the present Marco Polo does not seem to have made
that particular 'grade'.
Reviewer
Rob Barnett
A KARAMANOV DISCOGRAPHY
KARAMANOV
Symphony No. 20 "Blessed are the dead"
Symphony No. 23, "I am Jesus"
USSR SO/Vladimir Fedoseyev.
OLYMPIA EXPLORER SERIES OCD486
KARAMANOV
Symphony No. 22 "Let it be"
Symphony No. 23, "I am Jesus"
Deutsches SO, Berlin/Vladimir Ashkenazy.
DECCA 452 850-2DH
Enquiries to
Kasevin Rodell
Karamanov Society
6 Bowling Green Road
Cranfield
BEDFORDSHIRE MK43 0ET
United Kingdom
(fax 01234 751881)