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SARABAND FOR DEAD LOVERS, Songs and Piano Music by Alan Rawsthorne Sandra Dugdale (soprano), Martin Hindmarsh (tenor), Alan Cuckston (piano), Rene Atkinson (piano)   [DDD] SWINSTY RECORDS FEW 120 CD

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This is an important disc.

Alan Rawsthorne's music is often heavy, intense, claustrophobic, oppressive and 'brown' in colour, as well as being cheerless and lacking in brightness. The Sonatina for Piano is a case in point as are pages of The Creel for piano duet both included on this disc.

But the songs show us a less familiar Rawsthorne. While none of them are outstanding they do reveal the composer's ease at writing for the voice. Some of the songs have an unexpected sparkle such as the Tzu-Yeh songs wonderfully brought to life by Sandra Dugdale. These songs date from 1929 and are remarkably fresh for a composer whose mature works are so passive. The sleeve notes refer to Infant Joy 'revealing the composer's unmistakeable voice' but unmistakeable does neither mean outstanding nor innovative. The Three French Nursery Songs had Sophie Wyss as their first performer in 1938, which is some commendation as, in fact, was the case of Nous etions trois filles.

Alan Rawsthorne was notorious for hijacking other men's wives and friends. It was part of his longing to be both loved and admired and his jealousy at friendships that others had. His lack of self-esteem found dubious comfort in excessive alcohol; and this may well explain the muddled and morose content in his music. He courted the favour of two poets, Louis McNeice and W.R. Rodgers who were both great friends of Humphrey Searle.

Rawsthorne's setting of McNeice's Precursors and Rodgers' Carol seem to miss the point and the latter, in the key of B flat minor, does not suit.

Rawsthorne also hijacked other composers' music. The Chaconne in his Piano Concerto No 1 is a piece called Ostinato which Denis ApIvor wrote some six years earlier and did not publish.

The Saraband for Dead Lovers is a setting of words by Walter Meade using the melody from the 1948 film of the same name which film starred Stewart Granger, Flora Robson and the delicious Joan Greenwood whose plummy voice still haunts me.

In spite of my reservations about the quality of the music this disc is significant and includes all of Alan Rawsthorne's solo songs.

The performances and recording are good. I felt that Martin Hindmarsh's voice sounded a little tired occasionally but this is probably because of 'many takes' since he is a perfectionist. Alan Cuckston's playing is as reliable as ever.

Reviewer

David Wright

Performances

Recording


Reviewer

David Wright

Performances

Recording


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