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SEEN AND HEARD INTERNATIONAL CONCERT REVIEW
Dvořák,
Shostakovich:
Daniel Müller-Schott (cello), Munich Philharmonic,
Yakov Kreizberg,
Munich 22. 2.2009 (JFL)
Dvořák:
Carnival Overture, Symphony No.6
Shostakovich: Cello Concerto No.1, op.107
The Munich Philharmonic’s series of concerts between the 19th
and 22nd of February opened—very apropos—with Dvořák’s
Carnival Overture op.92. Under the Russian-American Yakov
Kreizberg’s direction the orchestra offered taut little firecracker
of an overture, unusually cohesive for a Sunday matinee (otherwise
known as “Sloppy Sundays”).
The next jolt of energy came in the form of Shostakovich’s First
Cello Concerto op.107 with Daniel Müller-Schott as the soloist. From
his first bright, sprightly note one could hear the difference—in
attitude rather than dexterity—from the very un-soloistic tone that
Sebastian
Klinger had delivered two days before in the
Dvořák concerto across town. The immediate opening is one aspect
that makes the First Cello Concerto such refreshing Shostakovich:
you get to the hyperactive parts without having to wade through all
the labored build up. Thos in the restless subscription audience who
could not befriend the work—not even the askew beauty of the
marvelous slow movement—had time to focus on the gorgeous-looking
conducting of Kreizberg; so picture perfect the dashing, ever
engaged young maestro that it borders caricature. You might say that
Kreizberg is the Hugh Jackman of conducting.
The cadenza—a movement of its own and awfully extensive—allowed to
marvel at Müller-Schott’s abilities more than the music itself, but
the brief, hectic finale with the modified DSCH motif that is traded
between cello and the solitary horn, brings back the lusty mayhem
that even a dark and troubled Shostakovich can provide. The slow
movement of Dvořák’s Sixth Symphony was perhaps a little phlegmatic,
but the other three were strident, even flamboyant. With nothing
not to like for the ears, and Kreizberg to watch, this was
highly enjoyable, albeit not particularly memorable, stuff.
Jens F. Laurson
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