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AND HEARD CHILDREN'S OPERA REVIEW
John Metcalf,
A Chair in Love:
Soloists, Pentaèdre Wind Quintet,
Taliesin Theatre, Swansea 13.7.2008 (MS)
Composer:John Metcalf
Libretto: Larry Tremblay
Successful film-maker Truman believes he is the genius
the critics say he is but decides he needs to
experience love and will make that his new movie
project. Nothing odd about that: apart from the
fact that the object of his amour is a chair.
Did I mention the chair sings as does his faithful but
understandably jealous mutt?
Crafted by one of our leading Welsh composers John
Metcalf with a sparkling, witty and engaging script by
Quebec playwright Larry Tremblay, this show is from
start to finish an absolute - and absolutely hilarious
- delight. It is also poignant and very sad but you
are left with a real feel good smile on your face
after the 80 or so minutes.
I saw the show on the opening night at the Taliesin
Theatre in Swansea where the day before several
hundred kids had seen it too and evidently loved it
-so much so that at one point their laughter almost
risked swamping the performance.
Big proud smiles then at the Taliesin for having
been able to put together a second UK tour of this
opera which was created as a co-production three years
ago. This time round Cardiff also gets a chance to see
what has been achieved in Swansea.
Supported by an
international collaboration between Wales and Quebec,
this show works for kids because it is full of
zaniness with the singing dog and chair and has plenty
of other humour. But it is also a clever show
for adults, musically accomplished and accessible with
a interesting theme.
Directed by Keith Turnbull the show also breaks with
convention by not having a conductor: rather it
integrates the musicians from the wind quintet
Pentaèdre into the action.
The lovers are Truman, sung by a richly voiced
baritone French Canadian Pierre-Étienne Bergeron and
the Chair beautifully created by sparkling Welsh
soprano Charlotte Ellett. The loyal Dog is magically
sung and realised by New York-based bass Michael
Douglas Jones and the Dogtor/Doctor is the cheeky and
charismatic mezzo Mireille Lebel.
Unlike some other rather heavy and soporific efforts
aimed at young people by well-funded opera
organisations this work is a blast for adults and
children alike. You really will believe a dog can sing
and a chair can sing and, well, fly. You would be
barking mad to miss it. Woof, woof.
Mike Smith
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