|
|
Editorial
Board
London Editor:
(London UK)
Melanie
Eskenazi
Regional Editor:
(UK regions and Worldwide)
Bill
Kenny
Webmaster:
Bill
Kenny
Music Web Webmaster:
Len
Mullenger
|
MusicWeb is a
subscription-free site
Clicking Google adverts on our pages helps us keep it that way
Seen
and Heard International Recital Review
The Langroise Trio:
Langroise Recital Hall, Albertson's
College of Idaho, Caldwell, 10.3.2007
(PSh)
Pierre Max Dubois:
Suite en Trio des Cordes (1988)
Greg Bartholomew:
String Trio for George
Crumb
Jean
Françaix: String Trio
William Ryden: Three Tangos
Alessandro Rolla: Viola Duo
David Alan Earnest: Isle of Bathos
(World Premiere)
On Saturday Evening, March 10, 2007,
in Langroise Recital Hall on the
campus of Albertson’s College of
Idaho, in Caldwell, Idaho, the
Langroise Trio
played a program of new music—that is,
music they had never played in concert
before, to a capacity house. Most of the pieces were from
the twentieth and twenty-first
centuries, modern in sound, but
accessible in style, easily
appreciated by an audience familiar
with Shostakovich and Prokofiev.
Recent concerts had consisted of
baroque and classical music works,
also new to their recital programs, by Sammartini, Gregor Joseph
Werner and Heinrich von Herzogenberg.
Previous to that, the Trio joined by
colleagues from the strings of the
Boise Philharmonic Orchestra,
presented the finest performance of
the Brahms Sextet #1 this
reviewer has ever heard, on or off
records. So, audiences come to these
concerts expecting great things, and
on March 10 we were not disappointed.
The Langroise Trio is Geoffrey
Trabichoff, violin; David Johnson,
viola; and Samuel Smith, cello. Mr.
Trabichoff, concertmaster of the Boise
Philharmonic Orchestra, is a graduate
of the London Guildhall School of
Music, and has played with many
European orchestras, most recently as
leader of the BBC Scottish SO.
Mr.Johnson is an honors graduate of
Indiana University, and Mr. Smith of
Ball State University, and both have
extensive experience in chamber and
orchestral playing, notably with the
Fort Wayne, Indiana, PO. All are
artists in residence at Albertson’s
College of Idaho.
The program began with Suite en
Trio des Cordes (1988) in five
movements by Pierre Max Dubois (1930 -
1995). Dubois won the Prix du Rome in
1955 and was thereafter a professor at
the Paris Conservatory. The opening
vigoreux and subsequent
andante molto were widely
appreciated as being among the finest
moments of the entire evening. The
ensuing movements, containing musical
jokes recalling Stravinsky and Rossini
were somewhat thinner - leading to my
suggestion to the musicians after the
concert that they might play the
movements in reverse order since there
did not appear to be any organic logic
to their succession.
The ensuing String Trio for George
Crumb by Greg Bartholomew (b.
1957) was commissioned by the Oregon
Bach Festival Composers' Symposium in
honor of American composer George
Crumb’s 75th birthday and premiered in
Eugene, Oregon, by the Third Angle New
Music Ensemble on July 3, 2004. The
work is based upon the name of the
dedicatee by taking as a theme the
first and last letters of his names,
thus: GEorGE CrumB, or GEGECB. The
contrapuntal first movement in open
canonic style was among the finest
moments of the evening. A theme from
one of Crumb’s compositions is quoted
in the second movement and the CEGB
motif appears in the last movement,
altered to G#EC#B, both of which
movements were less successful than
the first, but overall the work drew
considerable interest and was
enthusiastically received.
Regressing to the twentieth century,
the String Trio by Jean
Françaix, well known from the famous
recording by Heifetz, Primrose, and
Piatigorsky, was brightly presented.
My observation is that when these
players become better acquainted with
the work they will be able more easily
to project the strong textural
contrasts and camp humor inherent in
the work, certainly better than
Heifetz and Piatigorsky, neither of
whom ever smiled, a least not on
camera. The Trio are planning the
contents of their fourth CD, and in
polling the audience after the
concert, the Françaix was frequently
requested.
Three Tangos
by William Ryden (b. 1960) proved
popular and entertaining, but were no
less in quality than the other music
on this program and were played with
all possible swing and panache. But
like Scott Joplin Rags, three
of them was definitely enough.
“For something completely
different...” we traveled still
earlier in time to a viola duo by
Alessandro Rolla (1757-1841) played by
David Johnson and his student, the very
talented April Harrison who will play
a solo recital next month and make her
solo debut with orchestra in a concerto in the near future. Ms
Harrison matched her teacher note for
note such that it was often difficult
to tell who was playing what, and I
believe they exchanged parts during
the repeat.
We then returned to the present
for the high point of the evening, the
world premiere of “Isle of Bathos” by
David Alan Earnest (b. 1960). He
began the composition in 2004 with the
title of El Extrano Español
intended to be an homage to Pablo
Picasso. Then images of islands,
both in the Caribbean and Aegean Seas intruded, and the word bathos,
here meaning “an abrupt change from
the lofty to the ordinary” suggested itself
- hence the title
applied when the work was completed on
December 28, 2006. The music is
comparable with late Shostakovich only
in its richness and density and the
excellence of its fitting to the
qualities of the instruments, but is
much more positive in mood and in its
greater range of its drama. My
observation is that this is the least
derivative work Mr. Earnest has yet
produced and likely shows the
beginnings of his mature style which
will inform the music to come. The
audience appreciated what they
received with vigorous applause which
Mr. Earnest acknowledged shyly and
modestly.
Mr. Earnest (www.davidalanearnest.com)
is unusual in that he makes his living
composing every kind of music from
TV commercials and film soundtracks
through New Age woo-woo electronics to
symphonic and choral oratorio, as
well as chamber music. F or
eight years, he and
the Langroise Trio have enjoyed a brilliantly productive
association - of world class artists
with a world class composer - that has
enriched the string trio repertoire
with many excellent compositions.
I feel deeply privileged to be present
when something so wonderful is happening
here in Idaho; if you live within
a day’s drive of Boise, it is well
worth your effort to attend these
concerts. If you are flying
to Boise on business from Paris, Sydney,
or Moscow, arrange your flight to take in the next concert on
21 September 2007. After that
you may come just for the music.
Paul Shoemaker
Back
to the Top
Back to the Index Page
|
Seen and Heard, one of the longest established live
music review web sites on the Internet, publishes original reviews
of recitals, concerts and opera performances from the UK and internationally.
We update often, and sometimes daily, to bring you fast reviews,
each of which offers a breadth of knowledge and attention to performance
detail that is sometimes difficult for readers to find elsewhere.
Seen and Heard
publishes interviews with musicians, musicologists and directors
which feature both established artists and lesser known performers.
We also feature articles on the classical music industry and we
use other arts media to connect between music and culture in its
widest terms.
Seen and Heard
aims to present the best in new criticism from writers with a radical
viewpoint and welcomes contributions from all nations. If you would
like to find out more email Regional
Editor Bill Kenny. |
|
|
Contributors: Marc
Bridle, Martin Anderson, Patrick Burnson, Frank Cadenhead, Colin
Clarke, Paul Conway, Geoff Diggines, Sarah Dunlop, Evan Dickerson
Melanie Eskenazi (London Editor) Robert J Farr, Abigail Frymann,
Göran Forsling, Simon Hewitt-Jones, Bruce Hodges,Tim Hodgkinson,
Martin Hoyle, Bernard Jacobson, Tristan Jakob-Hoff, Ben Killeen,
Bill Kenny (Regional Editor), Ian Lace, John Leeman, Sue Loder,Jean
Martin, Neil McGowan, Bettina Mara, Robin Mitchell-Boyask, Simon
Morgan, Aline Nassif, Anne Ozorio, Ian Pace, John Phillips,
Jim Pritchard, John Quinn, Peter Quantrill, Alex Russell, Paul
Serotsky, Harvey Steiman, Christopher Thomas, Raymond Walker, John Warnaby,
Hans-Theodor Wolhfahrt, Peter Grahame Woolf (Founder & Emeritus
Editor)
|
Site design: Bill Kenny
2004 |