Mrs
Brunel: A life
with Isambard Kingdom Brunel 07. 05.2006, Driftwood
Spars Hotel, St. Agnes, Cornwall.(PCW)
Written and directed
by Mike Lucas
Music and lyrics by Chris Blackwood and Rebekah
Hughes
Music directed by Rebekah Hughes
Players: Emilia Brodie, Ruth Cataroche, Robert
Took and Daniel Wexler
I suspect that most Seen
and Heard reviews are planned well in advance. In
this case, when my wife and I were staying in a pub in
Cornwall for a few days, by chance a musical play was
to be staged in the upstairs bar on Sunday evening. With
cultural expectations limited to some George Lloyd* on
the portable CD player, a book about Ukrainian tractors
and the crossword, free entry and the prospect of a beer
during the performance – how better to unwind after
a long walk?
Four performers from the Mikron Theatre Company turned
up in a van, unloaded their kit and prepared the stage.
The possibility of going al fresco was discounted by dodgy
weather and an audience of about 30 (including our dog)
gathered as the players warmed up their instruments which
included two guitars, keyboard, violin, clarinet, flute,
soprano saxophone and recorder. The changing room consisted
of a small curtained area of the stage and was in constant
use, in particular by Emilia Brodie and Robert Took who
spent the evening in a series of cameo roles. Daniel Wexler
played Brunel and Ruth Cataroche his wife. All four performers
showed great versatility, each being required to act,
sing and play at least two musical instruments. It would
be unfair to single out any one of them – each was
wholly committed, highly proficient and entertaining.
Above all there was superb teamwork in playing conditions
which cannot have been easy but were intimate and atmospheric.
Mrs Brunel was structured chronologically around
the life and achievements of her great engineer husband
from the time he proposed marriage in 1836 until his death
23 years later. Born Mary Horsley into a musical family,
she knew Mendelssohn and echoes of his music were apparent.
At no stage was the score profound or overtly operatic
but it was effective and, above all, fun. The overarching
theme was a Mrs Brunel who despaired of her workaholic,
visionary husband but remained solidly behind him through
serious accidents, both physical and financial, and endured
failures as well as savouring great triumphs. The two
acts, each lasting about an hour, passed by very quickly
and were well-received. At the end the audience was locked
in and asked to part with their money, fill in gift aid
forms and buy Mikron merchandise. We all did so willingly.
The Mikron Theatre company has a proud history dating
back to 1972 and its current players will shortly be discarding
their van and touring the UK by barge (see: http://www.mikron.org.uk/index.html
for details). If you live in England, there will probably
be a performance of this and/or another production called
Carrying On by the company somewhere near you this
summer and autumn. If you fancy something a bit different,
make sure you don’t miss it.
Patrick C Waller
* By way of an aside, George Lloyd was
“discovered” when a critic from The Times
heard his music whilst visiting Cornwall in the 1930s.
No parallel is intended; MusicWeb is not quite The
Times (Not yet, I hear Len Mullenger say) and
the Mikron company seems to be well-established already.