The
period and style of the music for this film is, unsurprisingly, the 1920s -
1940s. The wistful/nostalgic style is set by the 10+ minute ‘Eclogue’, for
piano and strings, of Gerald Finzi, the English composer
much influenced by Elgar and Vaughan Williams The
rest of the source music references the style of the dance bands of that golden
period. (Golden, anyway, for oldies like this septuagenarian
reviewer.)
Ian
Lynn’s attractive but uneven, sometimes derivative score for piano and
orchestra, nicely fits between the styles of Finzi
and the ballads of the era. Listen to the piano solo so redolent of the
playing style of those days, and Lynn’s ‘I Wonder’, featuring vocalist Pete
Zorn crooning in that ‘full of ennui’ manner of the period. ‘Theatre
Sequence’ spins a dream of glitter and success turned sour, ‘You’re not Coming’
is bitter-sweet sighing over love gone wrong. ‘To Say Goodbye’ also aspires to
jerk tears, but I wish that we had not heard all its phrases before so that my
heart could have been genuinely touched.
[Interested
readers and fans of British music are advised that a new book on Gerald Finzi by Diana McVeagh has just
been published by Boydell Press. Furthermore two CDs
of music by Finzi released on Naxos super budget
label are thoroughly recommended: Naxos
8.55576 that includes the composer’s Cello Concerto as
well as Eclogue and 8.553566 that includes Finzi’s
Clarinet Concerto and several lovely works for strings.]
Wistful, nostalgic music. But it’s the source material
that will linger in the memory.
Ian Lace
Rating: 3.5