George Duning is chiefly remembered for his work over
sixteen years, commencing in 1944, at Columbia studios (previously he had been
at RKO Radio). At Columbia he was in much demand as an arranger on musicals
such as Jolson Sings Again and The Eddie Duchin Story but
as a composer he is distinguished by such scores as From Here to Eternity,
Picnic and 3:10 to Yuma. Duning attended Cincinnati
Conservatory of Music and later studied composition with Mario
Castelnuovo-Tedesco. He excelled in playing trumpet and performed with many
jazz groups.
Duning’s jazz-based score for Bell, Book and
Candle is a wacky delight. The kaleidoscopic ‘Main Title’ music sums it all
up starting with bongo drums (favoured by Jack Lemmon’s character Nicky –
Lemmon was an accomplished musician playing piano and harmonica as well as
bongos) and Christmas jingles to set the season. Racy light music signals
light-hearted comedy before more languorous material perfectly underscores the
shape and seductive charms of Kim Novak as witch Gilllian Holroyd but then a
haunting romantic melody underlines her yearning for true romance, and added to
all this is a hint of Pyewacket’s magical feline powers.
Much of the action takes place in the Zodiac Club. It is a
meeting place for witches and warlocks where Gill’s brother Nicky shows off his
prowess on the bongos and we hear much jazz in many moods from the blues and
the blowsy to the carefree and upbeat.
One of the most attractive tracks is The Spell’, a
wondrously impressionistically harmonised and orchestrated piece (enhanced by
Novak’s bewitching humming) in which Gill attempts to make the hapless Shep
(James Stewart) fall in love with her but a full flowering of Duning’s romantic
melody signals her conflicting emotions. The ‘magic’ material is cleverly,
drolly developed, through the score, particularly those world-weary trombones
so full of knowing ennui for Pyewacket.
Duning’s music for 1001 Arabian Nights is equally
wacky and delightful – full of jazz-based ‘eastern promise’ and, again, there
is a lovely hummable romantic melody. The film was an animated feature that
starred the near-sighted Mr Magoo, and the cue includes the talking-singing
voice of Jim Backus who made Magoo so famous. Again a cat features strongly
and Duning cleverly captures its antics. All the Arabian musical forms are
parodied from the epic to the seductive as the storyline dictates. The dramatic
range is broad too – there’s as much menacing underscore as there are moments
of broad mickey-mousing.
Two delightful scores truly romantic and comic. Bell Book
and Candle is truly magical.
Ian Lace
Bell, Book, and Candle: 4.5
1001 Arabian Nights: 4
Film Score Monthly News Release:
George Duning's melodic gifts were essential to his
two-decade run as Columbia Pictures' lead dramatic composer (Picnic, The
Devil at 4 O'Clock) and subsequent, prominent work for television (Star
Trek, The Big Valley). FSM continues its presentation of Duning's best
scores with two delightful comedy-fantasies: Bell, Book and Candle
(1958) and 1001 Arabian Nights (1959), paired from the Colpix Records
stereo masters.
Bell, Book and Candle was a
popular comedy starring Jimmy Stewart and Kim Novak in a sly take on
contemporary Manhattan witchcraft: Novak is a lonely witch, and Stewart her
romantic target, with supporting turns by Jack Lemmon and Ernie Kovacs. Based
on a play by John Van Druten, the film was a change of pace for Stewart and Novak,
whose other film that year featured a very different type of romance
(Hitchcock's Vertigo).
Bell, Book and Candle was
one of George Duning's favorite projects, allowing him to exercise his gift for
melody, romance, and jazz (in several source cues featuring The Candoli
Brothers on trumpet). Duning was always at his best with romantic elements, and
the film's fantasy aspects allowed him to extend his musical imagination into
colorful depictions of witchcraft.
1001 Arabian Nights was an
animated feature film starring Mr. Magoo (voice of Jim Backus), here
"Abdul Azziz Magoo," the uncle to Aladdin, as in "Aladdin and
the magic lamp." The film was animated and produced by UPA Pictures, and
received a splendid, colorful score by Duning, who wrote three songs with
lyricist Ned Washington: "Magoo's Blues," "You Are My
Dream" and "Three Little Maids From Damascus."
Duning enlisted several "ethnic" musicians to
depict the Middle Eastern locale, incorporating them into a traditional
symphonic setting. Despite the fact that it was written for animation, the
album (presenting the film's lengthier cues and musical setpieces) has little
"mickey mousing" and sounds like it could be the score to a
live-action fantasy film.
FSM's premiere CD of these two soundtracks comes from the
Colpix Records album masters. 1001 Arabian Nights was released in stereo
in 1959; Bell, Book and Candle, however, was only issued in mono
in 1958, and did not premiere in stereo until a 1980 Citadel LP reissue. FSM
has gone back to the three-track Colpix stereo album masters for the best-ever
presentation of this classic score, including the "bonus track" (here
correctly titled and placed as track 9) from the Citadel reissue. New liner
notes by Daniel Champion are presented along with the original LP commentaries.
Track Listing:
Bell, Book, and Candle:
Music composed and conducted by George Duning
- Main Title 2:24
- Pyewacket/Queenie/Gil 3:01
- Send Me Nicky 2:06
- Way Out Calypso 1:55
- Stormy Weather Polka 1:54
- The Spell/Shep Hooked 5:15
- The Herb Shop 2:40
- I Wish I Could/Gil's Whammy/All Right Shep 3:34
- That Cat Again/Shep Whammied/You're a Fool 2:55
- Shep Shook 2:02
- Where's Pyewacket?/Naughty Cat/Gil's Tears 2:19
- Pyewacket Returns 2:09
- Zodiac Serenade 2:20
- Zodiac Blues 2:21
- Only Human and End Title 4:23
Total Time: 41:55
1001 Arabian Nights
Music Composed by George Duning
Lyrics by Ned Washington, Supervised and Conducted by Morris Stoloff, Vocals by The Jud Conlon Singers
- Main Title 3:39
- Magoo's Blues (vocal -- Jim Backus) 2:09
- Sultan's Parade and You Are My Dream 3:13
- Palanquin Chase 2:18
- Wedding Celebration 3:32
- Bar Fly Magoo 0:44
- You Are My Dream -- Reprise 1:49
- Three Little Maids From Damascus (vocal -- The Clark Sisters) 2:23
- Unhappy Magoo 1:38
- Dream Ballet 3:42
- Crazy Carpet 4:14
- End Title 1:14
Total Time: 31:05
Total Disc Time: 73:00