Going head to head with that other sea-faring horror
outing reviewed this month, Below, John Frizzell can give himself a pat
on the back for coming out the victor, despite the fact that some of his thematic
work (the motif heard first on 'The Discovery' in particular) has an over familiar
ring to it. Even so, there is a fair amount of atmosphere generated along with
a smattering of invention and at over twice as long as the Below soundtrack,
certainly offers a good deal more value for money.
Undoubtedly the best musical device within the score
is the rather touching, melodic theme first introduced on 'I Saw a Little Girl'
and heard later in cues like 'Katie's Dolls' and at its most affecting on 'The
Souls Ascend'. Elsewhere there is a good deal of predictable horror/suspense
work, delivering everything we have come to expect and rarely extending itself
beyond the confines of conformity. When it does so however, on tracks like 'No
Unexpected Guests' and 'Go to Hell', the interest level quickly rises, only
to fade away as the subsequent cue reverts to more mundane territory. But there
is still an overall sense of something a little more worthwhile than usual and
this genre really does deserve and should demand more of composers, as it has
such vast potential to produce something of true power and poignancy. Here,
John Frizzell takes a few halting, unsteady steps in the right direction. Let's
hope one day soon he will begin to run.
Mark Hockley
3½