This Zeffirelli production of Verdi’s
ever-popular, melodic opera was filmed in February 2002, in Busseto, near Parma
Italy, close to the composer’s home and birthplace. Actually, the record shows
that Zeffirelli had filmed La Traviata before, in 1982. The Italian film
director whose credits include: The Taming of the Shrew (1966); Romeo
and Juliet (1968); Jesus of Nazareth (TV) (1977); Othello
(1986); and, more recently, Tea with Mussolini (1999) began his professional
career as a stage director.
The story of the opera concerns
the plight of Violetta a mid-19th century Parisian courtesan who
is dying of consumption (tuberculosis). She responds to the ardent love of the
young Alfredo but sacrifices him when his father, Giorgio pleads that their
love will ruin his daughter’s happiness and his son’s career. [Readers may recall
that M-G-M made a film of the story in 1937 starring Greta Garbo and Robert
Taylor (music by Herbert Stothart)].
Leaving the musicality of the opera
to conductor, Plácido Domingio, Zeffirelli is here concerned with a natural
expression of Verdi’s opera – and Alexander Dumas (fils)’ story – i.e.
Zeffirelli’s directs the set designs, lighting, costumes as well as the acting.
(One of this DVD’s features demonstrates his remarkable detailed knowledge of
the costumes of the period.) Seldom has this melodrama seemed so sincere, so
true.
This Zeffirelli production of Verdi’s
ever-popular, melodic opera was filmed in February 2002, in Busseto, near Parma
Italy, close to the composer’s home and birthplace. Actually, the record shows
that Zeffirelli had filmed La Traviata before, in 1982. The Italian film
director whose credits include: The Taming of the Shrew (1966); Romeo
and Juliet (1968); Jesus of Nazareth (TV) (1977); Othello
(1986); and, more recently, Tea with Mussolini (1999) began his professional
career as a stage director.
The story of the opera concerns
the plight of Violetta a mid-19th century Parisian courtesan who
is dying of consumption (tuberculosis). She responds to the ardent love of the
young Alfredo but sacrifices him when his father, Giorgio pleads that their
love will ruin his daughter’s happiness and his son’s career. [Readers may recall
that M-G-M made a film of the story in 1937 starring Greta Garbo and Robert
Taylor (music by Herbert Stothart)].
Leaving the musicality of the opera
to conductor, Plácido Domingio, Zeffirelli is here concerned with a natural
expression of Verdi’s opera – and Alexander Dumas (fils)’ story – i.e.
Zeffirelli’s directs the set designs, lighting, costumes as well as the acting.
(One of this DVD’s features demonstrates his remarkable detailed knowledge of
the costumes of the period.) Seldom has this melodrama seemed so sincere, so
true.
Ian Lace
4˝