Functional, professional, really rather interchangeable thriller
scores continue to pour out of Hollywood. To recent discs I have reviewed for
The Glass House
and Don't Say A Word
among many others, add Mark Mancina's music for the routine collection of clichés
that is Domestic Disturbance. A B movie a good decade past its film-by-date
which just goes to prove John Travolta only ever occasionally picks a good script
by the law of averages.
The title track is nicely edgy, with somewhat more subtle percussion
than we have been used to of late. "Bitter Suite" reveals a romantic heart yearning
for a better movie to accompany, while making the inevitable nods towards Bernard
Herrmann. Indeed, Herrmann continues to cast such a long shadow over the psychological
thriller genre it seems no score can escape his influence. Still, there is attractive
woodwind writing and Mancina summons an air of fatalistic enigma with consummate
skill. At over six minutes it is by far the longest track on a short album,
and in musical terms the most distinctive. Thereafter the titles tell the story,
with "Run Away", "Murder", "Rick Threatens Danny" etc. offering no more than
generic suspense/action writing which would sit equally well in any number of
similar films. Despite the presence of mandolin and bazouki adding a little
unusual colour it does the job, nothing more. But then the same might be said
of the movie.
Gary S Dalkin