- Straight, No Chaser
- Pannonica
- Trinkle Tinkle
- Ugly Beauty (rehearsal)
- Ugly Beauty
- Epistrophy
- Evidence
- I Mean You (Stickball)
- Lulu's Back in Town
- Don't Blame me
- Sweetheart of All My Dreams
- 'Round Midnight
- Straight No Chaser (Bonus Track)
Thelonious Monk – Piano (All tracks)
Charlie Rouse – Tenor 1,4,5,6,7,8,12 & 13
Larry Gales – Bass 1,4,5,6,7,8,12 & 13
Ben Riley – Drums 1.4,5,6,7,8,12 &13
Ray Copeland- Trumpet
Jimmy Cleveland – Trombone All of these four play on 6,7 &8
Phil Woods – Alto
Johnny Griffin – Tenor
Thelonius Monk or 'Monk' as he was known to everyone, is one of the legendary
figures of jazz who along with Charlie Parker and Dizzy Gillespie, was part
of the be-bop revolution. This was in the 1940's whilst Monk was the house pianist
at Minton's Playhouse a jazz club in New York. Monk had an angular and instantly
recognisable playing style, which seriously challenged the norms of the day.
He was a great composer of tunes suitable for jazz improvisation and many of
them are often heard today, not only played in jazz clubs, but as background
music for films and in many other situations.
For me and I suspect for many others, Monk's music needs to be carefully listened
to understand it, but it is a rewarding experience. The outer cover of the booklet
says this is the original movie soundtrack, but the notes say that every source
was explored to put this album together, I have not seen the film but I intend
to seek it out. What is presented here is a representative selection of Monk's
music; the Quartet with Charlie Rouse on tenor was the one with which he worked
most. Charlie Rouse is a great improviser and he always seemed to work particularly
well with Monk whose accompaniments at times seem a bit strange. The Octet with
it's All-Star line up was comparatively short lived and these are the best recordings
of it I have heard. The latter tracks 9,10 & 11 give a feel for Monk's
playing as a solo pianist, I have a feeling that he didn't care for Sweetheart
of all my Dreams very much!
The last track on the original LP was 'Round Midnight but this CD version has
a bonus track of Monk's Quartet playing Straight, No Chaser in 1967.
To understand what jazz is about, it is necessary to take in what Monk was
doing; this album helps that understanding.
Don Mather